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Item Details
Title: RENAISSANCE REALISM
NARRATIVE IMAGES IN LITERATURE AND ART
By: Alastair Fowler
Format: Hardback

List price: £195.00
Our price: £195.00
ISBN 10: 0199259585
ISBN 13: 9780199259588
Availability: Usually dispatched within 1-3 weeks.
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Stock: Currently 0 available
Publisher: OXFORD UNIVERSITY PRESS
Pub. date: 16 January, 2003
Pages: 304
Description: Early narratives have tended to be critiqued as novels, an approach which misses their distinctive Renaissance realism. Alastair Fowler surveys picturing and perspective from the fifteenth century to the eighteenth, drawing analogies between literature and visual art. The book is based on the history of the narrative imagination after single-point perspective. The habit of an older, multipoint perspective long continued, accounting for 'anachronism', discontinuousrealism, 'double time-schemes', and depiction of different moments as simultaneous.
Synopsis: This book questions the assumption of a single realism, the continuous realism of novels. Many suppose that narrative before the novel either looked forward to it or was medieval and allegorical, and compare the introduction of single-point perspective with the rise of the novel. But continuous realism did not arise as soon as perspective was discovered. In actuality, a distinctive sort of Renaissance realism, with its own conventions, was practised from the late Middle Ages to the seventeenth century. Renaissance Realism surveys the history of perspective, showing that it only gradually came to dominate the western imagination and to become the default assumption for portrayal in the visual arts. Looked at in this way, correlates between literature and art emerge in the depiction of objects and events. Treatment of spatial arrangement and time sequences, for example, closely parallel 'simultaneous narration' in the visual arts.
Illustrations: 64pp halftone plates
Publication: UK
Imprint: Oxford University Press
Returns: Returnable
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