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Item Details
Title: ON THE SENSATIONS OF TONE AS A PHYSIOLOGICAL BASIS FOR THE THEORY OF MUSIC
By: Alexander John Ellis
Format: Paperback

List price: £32.95


We currently do not stock this item, please contact the publisher directly for further information.

ISBN 10: 0343899507
ISBN 13: 9780343899509
Publisher: FRANKLIN CLASSICS TRADE PRESS
Pub. date: 21 October, 2018
Pages: 604
Language: English
Returns: Non-returnable
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BEITRAGE ZUR PSYCHOLOGIE U. PHYSIOLOGIE DER SINNESORGANE
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BESSEL'S HYPSOMETRIC TABLES
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CHARLIE'S HOUSE
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CHAUCER SOCIETY (HB)
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DAS DENKEN IN DER MEDICIN
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DIE LEHRE VON DEN TONEMPFINDUNGEN ALS PHYSIOLOGISCHE GRUNDLAGE FUR DIE THEORIE DER MUSIK
DIE LEHRE VON DEN TONEMPFINDUNGEN ALS PHYSIOLOGISCHE GRUNDLAGE FUR DIE THEORIE DER MUSIK
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DIE LEHRE VON DEN TONEMPFINDUNGEN ALS PHYSIOLOGISCHE GRUNDLAGE FUR DIE THEORIE DER MUSIK, DRITTE AUSGABE
DIE LEHRE VON DEN TONEMPFINDUNGEN ALS PHYSIOLOGISHE GRUNDLAGE FUR DIE THEORIE DER MUSIK
DIE LEHRE VON DEN TONEMPFINDUNGEN ALS PHYSIOLOGISHE GRUNDLAGE FUR DIE THEORIE DER MUSIK
DIE LEHRE VON DEN TONEMPFINDUNGEN ALS PHYSIOLOGISHE GRUNDLAGE FUR DIE THEORIE DER MUSIK
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ON EARLY ENGLISH PRONUNCIATION (HB)
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ON EARLY ENGLISH PRONUNCIATION, WITH ESPECIAL REFERENCE TO SHAKESPEARE AND CHAUCER (HB)
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ON EARLY ENGLISH PRONUNCIATION, WITH ESPECIAL REFERENCE TO SHAKESPEARE AND CHAUCER (HB)
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ON EARLY ENGLISH PRONUNCIATION, WITH ESPECIAL REFERENCE TO SHAKESPEARE AND CHAUCER (HB)
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ON EARLY ENGLISH PRONUNCIATION, WITH ESPECIAL REFERENCE TO SHAKESPEARE AND CHAUCER (PB)
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ON EARLY ENGLISH PRONUNCIATION, WITH ESPECIAL REFERENCE TO SHAKESPEARE AND CHAUCER VOLUME 2
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ON EARLY ENGLISH PRONUNCIATION, WITH ESPECIAL REFERENCE TO SHAKESPEARE AND CHAUCER; CONTAINING AN INVESTIGATION OF THE CORRESPONDENCE OF WRITING WITH SPEECH IN ENGLAND FROM THE ANGLOSAXON PERIOD TO THE PRESENT DAY, PRECEDED BY A VOLUME 4
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ON EARLY ENGLISH PRONUNCIATION, WITH ESPECIAL REFERENCE TO SHAKESPEARE AND CHAUCER; CONTAINING AN INVESTIGATION OF THE CORRESPONDENCE OF WRITING WITH SPEECH IN ENGLAND FROM THE ANGLOSAXON PERIOD TO THE PRESENT DAY, VOLUME 14; NO. 23
ON EARLY ENGLISH PRONUNCIATION, WITH ESPECIAL REFERENCE TO SHAKESPEARE AND CHAUCER; CONTAINING AN INVESTIGATION OF THE CORRESPONDENCE OF WRITING WITH SPEECH IN ENGLAND FROM THE ANGLOSAXON PERIOD TO THE PRESENT DAY, VOLUME 2; NO. 7
ON EARLY ENGLISH PRONUNCIATION, WITH ESPECIAL REFERENCE TO SHAKSPERE AND CHAUCER
ON EARLY ENGLISH PRONUNCIATION, WITH ESPECIAL REFERENCE TO SHAKSPERE AND CHAUCER
ON EARLY ENGLISH PRONUNCIATION, WITH ESPECIAL REFERENCE TO SHAKSPERE AND CHAUCER
ON EARLY ENGLISH PRONUNCIATION, WITH ESPECIAL REFERENCE TO SHAKSPERE AND CHAUCER
ON EARLY ENGLISH PRONUNCIATION, WITH ESPECIAL REFERENCE TO SHAKSPERE AND CHAUCER
ON EARLY ENGLISH PRONUNCIATION, WITH ESPECIAL REFERENCE TO SHAKSPERE AND CHAUCER (HB)
ON EARLY ENGLISH PRONUNCIATION, WITH ESPECIAL REFERENCE TO SHAKSPERE AND CHAUCER (HB)
ON EARLY ENGLISH PRONUNCIATION, WITH ESPECIAL REFERENCE TO SHAKSPERE AND CHAUCER (HB)
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ON EARLY ENGLISH PRONUNCIATION, WITH ESPECIAL REFERENCE TO SHAKSPERE AND CHAUCER, CONTAINING AN INVESTIGATION OF THE CORRESPONDENCE OF WRITING WITH SPEECH IN ENGLAND FROM THE ANGLOSAXON PERIOD TO THE PRESENT DAY, PRECEDED BY A SYSTEMATIC NOTATION (PB)
ON EARLY ENGLISH PRONUNCIATION, WITH ESPECIAL REFERENCE TO SHAKSPERE AND CHAUCER, CONTAINING AN INVESTIGATION OF THE CORRESPONDENCE OF WRITING WITH SPEECH IN ENGLAND, FROM THE ANGLOSAXON PERIOD TO THE PRESENT DAY, PRECEDED BY A VOLUME 2
ON EARLY ENGLISH PRONUNCIATION, WITH ESPECIAL REFERENCE TO SHAKSPERE AND CHAUCER; CONTAINING AN INVESTIGATION OF THE CORRESPONDENCE OF WRITING WITH SP
ON EARLY ENGLISH PRONUNCIATION, WITH ESPECIAL REFERENCE TO SHAKSPERE AND CHAUCER; CONTAINING AN INVESTIGATION OF THE CORRESPONDENCE OF WRITING WITH SPEECH IN ENGLAND FROM THE ANGLOSAXON PERIOD TO THE PRESENT DAY, PRECEDED BY A VOLUME 1
ON EARLY ENGLISH PRONUNCIATION, WITH SPE (PB)
ON EARLY ENGLISH PRONUNCIATION: WITH SPE (PB)
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ON MUSICAL DUODENES, OR THE THEORY OF CONSTRUCTING INSTRUMENTS WITH FIXED TONES IN JUST OR PRACTICALLY JUST INTONATION
ON MUSICAL DUODENES, OR THE THEORY OF CONSTRUCTING INSTRUMENTS WITH FIXED TONES IN JUST OR PRACTICALLY JUST INTONATION
ON MUSICAL DUODENES, OR THE THEORY OF CONSTRUCTING INSTRUMENTS WITH FIXED TONES IN JUST OR PRACTICALLY JUST INTONATION (HB)
ON MUSICAL DUODENES, OR THE THEORY OF CONSTRUCTING INSTRUMENTS WITH FIXED TONES IN JUST OR PRACTICALLY JUST INTONATION (HB)
ON MUSICAL DUODENES, OR THE THEORY OF CONSTRUCTING INSTRUMENTS WITH FIXED TONES IN JUST OR PRACTICALLY JUST INTONATION - PRIMARY SOURCE EDITION
ON MUSICAL DUODENES, OR THE THEORY OF CONSTRUCTING INSTRUMENTS WITH FIXED TONES IN JUST OR PRACTICALLY JUST INTONATION - SCHOLAR'S CHOICE EDITION
ON THE BASIS OF MUSIC
ON THE BASIS OF MUSIC (PB)
ON THE BASIS OF MUSIC: CONTAINING AN ELE (HB)
ON THE BASIS OF MUSIC: CONTAINING AN ELE (PB)
ON THE HISTORY OF MUSICAL PITCH
ON THE HISTORY OF MUSICAL PITCH
ON THE MUSICAL SCALES OF VARIOUS NATIONS
ON THE SENSATIONS OF TONE AS A PHYSIOLOG (HB)
ON THE SENSATIONS OF TONE AS A PHYSIOLOG (HB)
ON THE SENSATIONS OF TONE AS A PHYSIOLOGICAL BASIS FOR THE THEORY OF MUSIC
ON THE SENSATIONS OF TONE AS A PHYSIOLOGICAL BASIS FOR THE THEORY OF MUSIC
ON THE SENSATIONS OF TONE AS A PHYSIOLOGICAL BASIS FOR THE THEORY OF MUSIC
ON THE SENSATIONS OF TONE AS A PHYSIOLOGICAL BASIS FOR THE THEORY OF MUSIC
ON THE SENSATIONS OF TONE AS A PHYSIOLOGICAL BASIS FOR THE THEORY OF MUSIC
ON THE SENSATIONS OF TONE AS A PHYSIOLOGICAL BASIS FOR THE THEORY OF MUSIC
ON THE SENSATIONS OF TONE AS A PHYSIOLOGICAL BASIS FOR THE THEORY OF MUSIC
ON THE SENSATIONS OF TONE AS A PHYSIOLOGICAL BASIS FOR THE THEORY OF MUSIC
ON THE SENSATIONS OF TONE AS A PHYSIOLOGICAL BASIS FOR THE THEORY OF MUSIC (HB)
ON THE SENSATIONS OF TONE AS A PHYSIOLOGICAL BASIS FOR THE THEORY OF MUSIC (HB)
ON THE SENSATIONS OF TONE AS A PHYSIOLOGICAL BASIS FOR THE THEORY OF MUSIC (HB)
ON THE SENSATIONS OF TONE AS A PHYSIOLOGICAL BASIS FOR THE THEORY OF MUSIC (HB)
ON THE SENSATIONS OF TONE AS A PHYSIOLOGICAL BASIS FOR THE THEORY OF MUSIC (HB)
ON THE SENSATIONS OF TONE AS A PHYSIOLOGICAL BASIS FOR THE THEORY OF MUSIC (HB)
ON THE SENSATIONS OF TONE AS A PHYSIOLOGICAL BASIS FOR THE THEORY OF MUSIC (HB)
ON THE SENSATIONS OF TONE AS A PHYSIOLOGICAL BASIS FOR THE THEORY OF MUSIC (HB)
ON THE SENSATIONS OF TONE AS A PHYSIOLOGICAL BASIS FOR THE THEORY OF MUSIC (HB)
ON THE SENSATIONS OF TONE AS A PHYSIOLOGICAL BASIS FOR THE THEORY OF MUSIC (HB)
ON THE SENSATIONS OF TONE AS A PHYSIOLOGICAL BASIS FOR THE THEORY OF MUSIC (PB)
ON THE SENSATIONS OF TONE AS A PHYSIOLOGICAL BASIS FOR THE THEORY OF MUSIC (PB)
ON THE SENSATIONS OF TONE AS A PHYSIOLOGICAL BASIS FOR THE THEORY OF MUSIC (PB)
ON THE SENSATIONS OF TONE AS A PHYSIOLOGICAL BASIS FOR THE THEORY OF MUSIC (PB)
ON THE SENSATIONS OF TONE AS A PHYSIOLOGICAL BASIS FOR THE THEORY OF MUSIC (PB)
ON THE SENSATIONS OF TONE AS A PHYSIOLOGICAL BASIS FOR THE THEORY OF MUSIC - PRIMARY SOURCE EDITION
ON THE SENSATIONS OF TONE AS A PHYSIOLOGICAL BASIS FOR THE THEORY OF MUSIC - PRIMARY SOURCE EDITION
ON THE SENSATIONS OF TONE AS A PHYSIOLOGICAL BASIS FOR THE THEORY OF MUSIC - PRIMARY SOURCE EDITION
ON THE SENSATIONS OF TONE AS A PHYSIOLOGICAL BASIS FOR THE THEORY OF MUSIC - PRIMARY SOURCE EDITION
ON THE SENSATIONS OF TONE AS A PHYSIOLOGICAL BASIS FOR THE THEORY OF MUSIC - SCHOLAR'S CHOICE EDITION
ON THE SENSATIONS OF TONE AS A PHYSIOLOGICAL BASIS FOR THE THEORY OF MUSIC - SCHOLAR'S CHOICE EDITION
ON THE SENSATIONS OF TONE AS A PHYSIOLOGICAL BASIS FOR THE THEORY OF MUSIC - SCHOLAR'S CHOICE EDITION
ORIGINAL NURSERY RHYMES (PB)

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