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Item Details
Title: THE ORDERS OF GOTHIC
FOUCAULT, LACAN AND THE SUBJECT OF GOTHIC WRITING, 1764-1820
By: Dale Townshend
Format: Hardback

List price: £94.50


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ISBN 10: 0404648541
ISBN 13: 9780404648541
Publisher: AMS PRESS
Pub. date: 15 December, 2006
Series: AMS Studies in the Eighteenth-Century No. 54
Pages: 365
Description: Discusses a selection of Gothic romances, dramas, and chapbooks written and published in Britain between Walpole's 1764 "The Castle of Otranto" and Maturin's Melmoth the "Wanderer of 1820". This work employs theories from Foucault's "The Order of Things" and "History of Sexuality: as a primary and typical conceptual framework.
Synopsis: "The Orders of Gothic" discusses a selection of Gothic romances, dramas, and chapbooks written and published in Britain between Walpole's 1764 The Castle of Otranto and Maturin's Melmoth the Wanderer of 1820. It is only in its chronological boundaries that this study is conventional; Townshend's unusual theoretical approach utilizes Foucauldian new historicism and Lacanian psychoanalysis as his focus for understanding the construction of subjectivity and modernity in British Gothic literature. Townshend employs theories from Foucault's The Order of Things and History of Sexuality as a primary - and typical - conceptual framework through which the apparent "modernity" of the Gothic is systematically explored, but addresses the ways in which Foucault's theories fall short of a full explanation of the often horrific excesses of Gothic writing. With these oversights in mind, Townshend turns to the psychoanalytic perspectives of later theorists including Freud, Zizek and Lacan as more satisfactory articulations of those Gothic matters upon which Foucault is silent.But as Lacan is shown to supplement Foucault, so Foucauldian theory anchors an otherwise ahistorical psychoanalytic tradition, in an interminable process of exchange. Townshend's readings of primary texts (by Horace Walpole, Clara Reeve, Sophia Lee, Ann Radcliffe, Maria Regina Roche, Matthew Gregory Lewis, William Beckford, William Godwin, Charlotte Dacre, and Percy Bysshe Shelley) describe the construction of subjectivity in Gothic fictions of the late eighteenth and early nineteenth centuries, but his study is as much concerned with the relationship between historicism and psychoanalysis as it is with literary history. Of interest to scholars and students of Gothic fiction and critical theory alike, The Orders of Gothic provides a fresh understanding of early Gothic writing and its central place in the history of the modern subject.
Publication: US
Imprint: AMS Press
Returns: Returnable
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