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Item Details
Title: PLEASURING PAINTING
MATISSE'S FEMININE REPRESENTATIONS
By: John Elderfield
Format: Hardback

List price: £5.95


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ISBN 10: 050055028X
ISBN 13: 9780500550281
Publisher: THAMES & HUDSON LTD
Pub. date: 29 January, 1996
Series: Walter Neurath Memorial Lectures
Pages: 64
Description: This text traces the development of Matisse's feminine representations, from the "Carmelina" of 1903-1904 through the odalisques of the Nice period in the 1920s, offering a reinterpretation of some of the artist's best-known and most controversial works.
Synopsis: In 1913, outraged by Matisse's painterly violations of the female body, students of the Art Institute of Chicago found him guilty of "artistic murder" and proceeded to burn in effigy three of his works, including the "Blue Nude" of 1907. Since that time, Matisse's paintings of women have remained a source of deep controversy, feminist critics finding them an "assertion of virilty" whilst others have fallen back on purely formalist defences of the artist's "disinterested paint". In this work, John Elderfield, one of today's most highly regarded art historians and an expert on Matisse, traces the development of Matisse's feminine representations from the "Carmelina" of 1903-1904 through to the odalisques of the Nice period in the 1920s, offering a reinterpretation of some of the artist's best-known works. The author shows that Matisse was not, as his legend suggests, simply a painter of quintessentially male pleasures, but rather that he also used his female models as a means of self-analysis and identification. Eschewing reductive readings, Elderfield returns the images to their art historical sources and opens out the interpretative possibities of these enigmatic paintings.
Illustrations: 46 illustrations
Publication: UK
Imprint: Thames & Hudson Ltd
Returns: Non-returnable
Some other items by this author:
AGAINST THE GRAIN (HB)
ANNA WEYANT (HB)
ARMANDO REVERON (HB)
BOB DYLAN (HB)
BOB DYLAN: THE BRAZIL SERIES (HB)
BODY LANGUAGE (PB)
BRIDGET RILEY (HB)
CEZANNE PORTRAITS (HB)
CEZANNE PORTRAITS (HB)
DE KOONING (HB)
DE KOONING: A RETROSPECTIVE (HB)
DRAWING IS EVERYTHING (HB)
FLIGHT OUT OF TIME (PB)
HELEN FRANKENTHALER (HB)
HELEN FRANKENTHALER (HB)
HELEN FRANKENTHALER (HB)
HELEN FRANKENTHALER: PAINTED ON 21ST STREET (HB)
HOWARD HODGKIN THE COMPLETE PAINTINGS (HB)
IMAGINING THE FUTURE OF THE MUSEUM OF MODERN ART (PB)
IN THE STUDIO (HB)
JASPER JOHNS (HB)
JENNY SAVILLE (HB)
JOE ZUCKER (HB)
JOHN COHEN (PB)
KURT SCHWITTERS (HB)
LINE INTO COLOR, COLOR INTO LINE (HB)
MANET AND THE EXECUTION OF MAXIMILIAN (PB)
MARTIN PURYEAR (HB)
MATISSE (PB)
MATISSE IN THE COLLECTION OF THE MUSEUM OF MODERN ART (PB)
MATISSE/DIEBENKORN (HB)
MODERN PAINTING AND SCULPTURE (HB)
MODERN STARTS (HB)
MUSEUM OF MODERN ART AT MID-CENTURY (PB)
PHILIP JOHNSON AND THE MUSEUM OF MODERN ART (PB)
RICHARD DIEBENKORN (HB)
RICHARD DIEBENKORN (PB)
THE ART OF RICHARD DIEBENKORN (HB)
THE ART OF RICHARD DIEBENKORN (PB)
THE CUT-OUTS OF HENRI MATISSE (PB)
THE HEROINE PAINT (HB)
VISIONS OF MODERN ART (HB)
WILLEM DE KOONING (HB)

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