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Item Details
Title: THE SHIFTING DEFINITIONS OF GENRE
ESSAYS ON LABELING FILMS, TELEVISION SHOWS AND MEDIA
By: Lincoln Geraghty, Mark Jancovich
Format: Paperback

List price: £39.95
Our price: £35.96
Discount:
10% off
You save: £3.99
ISBN 10: 0786434309
ISBN 13: 9780786434305
Availability: Usually dispatched within 1-3 weeks.
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Stock: Currently 0 available
Publisher: MCFARLAND & CO INC
Pub. date: 24 March, 2008
Description: Histories of science fiction often discuss "Metropolis" as a classic text within the genre - yet the term "science fiction" had not been invented at the time of the film's release. If the genre did not have a name, did it exist? This book examines the varying constructions of genre within film, television, and other entertainment media.
Synopsis: Histories of science fiction often discuss Fritz Lang's "Metropolis" as a classic text within the genre - yet the term "science fiction" had not been invented at the time of the film's release. If the genre did not have a name, did it exist? Does retroactive assignment to a genre change our understanding of a film? Do films shift in meaning and status as the name of a genre changes meaning over time?These provocative questions are at the heart of this book, whose thirteen essays examine the varying constructions of genre within film, television, and other entertainment media. Collectively, the authors argue that generic labels are largely irrelevant or even detrimental to the works to which they are applied.Part One examines the meanings of genre reveals how the media are involved in the production and dissemination of generic definitions. Part Two considers specific films (or groups of films) and their relationships within various categorizations. Part Three focuses on the closely tied concepts of history and memory as they relate to the perceptions of genre.
Illustrations: notes, bibliography, index
Publication: US
Imprint: McFarland & Co Inc
Returns: Non-returnable
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AMERICAN SCIENCE FICTION FILM AND TELEVISION
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APPROACHES TO POPULAR FILM (HB)
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CHANNELING THE FUTURE
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CINEMATIC COUNTRYSIDES (HB)
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CULT COLLECTORS
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CULT COLLECTORS (PB)
DEFINING CULT MOVIES (HB)
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DIRECTORY OF WORLD CINEMA (PB)
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FILM AND COMIC BOOKS (HB)
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FILM HISTORIES (HB)
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FILM STARS (PB)
FILM STUDIES READER (PB)
GROWING UP WITH AUDREY HEPBURN (PB)
HOLLYWOOD HYPE AND AUDIENCES (PB)
HORROR, THE FILM READER
HORROR, THE FILM READER
HORROR, THE FILM READER
HORROR, THE FILM READER
HORROR, THE FILM READER
HORROR, THE FILM READER (HB)
HORROR, THE FILM READER (PB)
INTERPRETING ROCK MOVIES (HB)
INTERPRETING ROCK MOVIES (PB)
LIVING WITH "STAR TREK" (HB)
LIVING WITH "STAR TREK" (PB)
LIVING WITH STAR TREK (HB)
MEMORY AND POPULAR FILM
MEMORY AND POPULAR FILM (PB)
MONSTERS IN THE CLOSET (PB)
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POPULAR MEDIA CULTURES
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QUALITY POPULAR TELEVISION: CULT TV, THE INDUSTRY AND FANS (PB)
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THE CULTURAL POLITICS OF THE NEW CRITICISM
THE CULTURAL POLITICS OF THE NEW CRITICISM (HB)
THE CULTURAL POLITICS OF THE NEW CRITICISM (PB)
THE DOLBY ERA (PB)
THE INFLUENCE OF "STAR TREK" ON TELEVISION, FILM AND CULTURE (PB)
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THE PLACE OF THE AUDIENCE (HB)
THE PLACE OF THE AUDIENCE: CULTURAL GEOGRAPHIES OF FILM CONSUMPTION (PB)
THE SMALLVILLE CHRONICLES
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