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Item Details
Title: AMINADAB
By: Maurice Blanchot, Jeff Fort (Trans), Jeff Fort
Format: Paperback

List price: £16.99
Our price: £14.44
Discount:
15% off
You save: £2.55
ISBN 10: 0803261764
ISBN 13: 9780803261761
Availability: Usually dispatched within 1-3 weeks.
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Stock: Currently 0 available
Publisher: UNIVERSITY OF NEBRASKA PRESS
Pub. date: 1 June, 2002
Series: French Modernist Library
Pages: 200
Translated from: French
Description: Features Thomas who upon seeing a women gesture to him from a window of a large boarding house, enters the building and slowly becomes embroiled in its inscrutable workings. Although Thomas is constantly reassured that he can leave the building, he seems to be separated forever from the world he has left behind.
Synopsis: The world of Aminadab, Maurice Blanchot's second novel, is dark, bizarre, and fantastic. Reminiscent of Kafka's enclosed and allegorical spaces, Aminadab is both a reconstruction and a deconstruction of power, authority, and hierarchy. The novel opens when Thomas, upon seeing a woman gesture to him from a window of a large boarding house, enters the building and slowly becomes embroiled in its inscrutable workings. Although Thomas is constantly reassured that he can leave the building, he seems to be separated forever from the world he has left behind. The story consists of Thomas's frustrated attempts to clarify his status as a resident in the building and his misguided interactions with the cast of sickly, depraved, or in some way deformed characters he meets, none of them ever quite what they seem to be. Aminadab, the man who according to legend guards the entrance to the building's underground spaces, is only one of the mysteries reified by the rumors circulating among the residents.Written in a prose that is classical and at times lyrical, Blanchot's novel functions as an allegory referring, above all, to the wandering and striving movement of writing itself.
Publication: US
Imprint: University of Nebraska Press
Returns: Returnable
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A VOICE FROM ELSEWHERE (HB)
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FOR WHAT TOMORROW . . . (HB)
FOR WHAT TOMORROW . . . (PB)
FOUCAULT / BLANCHOT (HB)
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FRENCH THEORY (HB)
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FRIENDSHIP (HB)
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HEIDEGGER AND THE POLITICS OF POETRY (HB)
INTO DISASTER (HB)
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L' ARRET DE MORT (PB)
L'ATTENTE L'OUBLI (PB)
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LAUTREAMONT AND SADE (HB)
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MOURNING PHILOLOGY
MOURNING PHILOLOGY
MOURNING PHILOLOGY (HB)
MYTH AND THOUGHT AMONG THE GREEKS (PB)
POLITICAL WRITINGS, 1953-1993 (HB)
POLITICAL WRITINGS, 1953-1993 (PB)
PROFANATIONS (HB)
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RESSASSEMENT ETERNEL (PB)
SOS TITLE UNKNOWN
THE ACT OF BEING (HB)
THE BANALITY OF HEIDEGGER
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THE BANALITY OF HEIDEGGER (HB)
THE BANALITY OF HEIDEGGER (PB)
THE BOOK TO COME (HB)
THE BOOK TO COME (PB)
THE CLAUDE GLASS (HB)
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THE DIVIDED CITY (HB)
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THE GROUND OF THE IMAGE
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THE GROUND OF THE IMAGE (HB)
THE GROUND OF THE IMAGE (PB)
THE IMPERATIVE TO WRITE
THE IMPERATIVE TO WRITE
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THE INFINITE CONVERSATION (PB)
THE INSTANT OF MY DEATH /DEMEURE (PB)
THE LAST MAN (HB)
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THE MOST HIGH (PB)
THE ONE WHO WAS STANDING APART FROM ME (PB)
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THE UNAVOWABLE COMMUNITY (PB)
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THE WRITING OF THE DISASTER (HB)
THE WRITING OF THE DISASTER (PB)
THE WRITING OF THE DISASTER (PB)
THOMAS L'OBSCUR (PB)
THOMAS THE OBSCURE (PB)
THOMAS THE OBSCURE (PB)
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