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Item Details
Title: FOUR PARTS, NO WAITING
A SOCIAL HISTORY OF AMERICAN BARBERSHOP HARMONY
By: Gage Averill
Format: Hardback

List price: £83.00
Our price: £83.00
ISBN 10: 0195116720
ISBN 13: 9780195116724
Availability: Usually dispatched within 1-3 weeks.
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Stock: Currently 0 available
Publisher: OXFORD UNIVERSITY PRESS INC
Pub. date: 20 February, 2003
Series: American Musicspheres
Pages: 248
Description: Four Parts, No Waiting investigates the role that vernacular, barbershop-style close harmony has played in American musical history, in American life, and in the American imagination. Starting with a discussion of the first craze for Austrian four-part close harmony in the 1830s, Averill traces the popularity of this musical form in minstrel shows, black recreational singing, vaudeville, early recordings, and in the barbershop revival of the 1930s. In hisexploration of barbershop, Averill uncovers a rich musical tradition - a hybrid of black and white cultural forms, practiced by amateurs, and part of a mythologized vision of small-town American life.
Synopsis: Four Parts, No Waiting investigates the role that vernacular, barbershop-style close harmony has played in American musical history, in American life, and in the American imagination. Starting with a discussion of the first craze for Austrian four-part close harmony in the 1830s, Averill traces the popularity of this musical form in minstrel shows, black recreational singing, vaudeville, early recordings, and in the barbershop revival of the 1930s. In his exploration of barbershop, Averill uncovers a rich musical tradition-a hybrid of black and white cultural forms, practiced by amateurs, and part of a mythologized vision of small-town American life. This engagingly-written, often funny book critiques the nostalgic myths (especially racial myths) that have surrounded the barbershop revival, but also celebrates the civic-minded, participatory spirit of barbershop harmony. The text is accompanied by an audio CD.
Illustrations: 9 line illus & 16 halftones
Publication: US
Imprint: Oxford University Press Inc
Prizes: Winner of Winner of the 2004 Alan P. Merriam Prize of the Society for
Returns: Returnable
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