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Item Details
| Title:
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THE HOLLYWOOD FILM MUSIC READER
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| By: |
Mervyn Cooke (Editor) |
| Format: |
Hardback |
| List price:
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£93.00 |
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We currently do not stock this item, please contact the publisher directly for
further information.
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| ISBN 10: |
0195331184 |
| ISBN 13: |
9780195331189 |
| Publisher: |
OXFORD UNIVERSITY PRESS INC |
| Pub. date: |
1 September, 2010 |
| Pages: |
392 |
| Description: |
This wide-ranging, stimulating, and entertaining anthology of writings about the experiences of composers working in the high-pressure environment of the US film industry from the silent era to the present day includes both vivid first-hand accounts from the composers themselves and a representative selection of contemporaneous criticism and commentary. |
| Synopsis: |
A rich and informative look at the experiences of composers working under high pressure in the US film industry, The Hollywood Film Music Reader brings readers from film's earliest days to the modern blockbuster era. Beginning with the origins of movie music in the heyday of silent film, the book traces film music's progress through Hollywood's so-called Golden Age to changes in musical styles and working practices from the 1960s to the present. Also included are vivid first-hand accounts from composers such as George Antheil, Elmer Bernstein, Aaron Copland, Adolph Deutsch, Jerry Goldsmith, Bernard Herrmann, Henry Mancini, Thomas Newman, Andre Previn, David Raksin, Miklos Rozsa, Max Steiner, Dimitri Tiomkin, Franz Waxman, and John Williams, along with testimonies from composers working in animation and documentary film. The book concludes with a section of criticism and commentary, including an essay on film music by Sidney Lumet and Igor Stravinsky's provocative views on the subject. |
| Illustrations: |
17 film stills |
| Publication: |
US |
| Imprint: |
Oxford University Press Inc |
| Returns: |
Non-returnable |
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