DIONYSIAN IMAGERY IN FIFTH-CENTURY ATHENS by Thomas H. Carpenter ( 9780198150381 )

Item Details

Title:

DIONYSIAN IMAGERY IN FIFTH-CENTURY ATHENS

By:

Thomas H. Carpenter

Format:

Hardback

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£212.50

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£185.94

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ISBN 10:

0198150385

ISBN 13:

9780198150381

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Publisher:

OXFORD UNIVERSITY PRESS

Pub. date:

30 January, 1997

Series:

Oxford Monographs on Classical Archaeology

Pages:

170

Description:

An extensive study of Dionysian imagery found primarily in scenes on red-figure vases of the fifth-century BC but also in the architectural sculpture, coins, and theatre of the same period. Thomas Carpenter seeks to define a methodology for using this imagery as evidence for cultural and religious activity, and challenges some commonly-held views about the meaning of Dionysian iconography, at the same time pointing to problems inherent in the evidence underscrutiny.

Synopsis:

Dionysian Imagery in Fifth-Century Athens is a response to the question, 'What can surviving visual sources reveal about fifth-century Attic perceptions of Dionysos?' In this sequel to his book Dionysian Imagery in Archaic Greek Art (1986), Thomas Carpenter defines a methodology for using ancient Greek imagery as evidence for cultural and religious activity based on an empirical rather than theoretical approach. Red-figure vases provide the richest source of Dionysian iconography, but the significant volume of evidence supplied by architectural sculpture, coins, and the theatre also demands attention. The conclusions that Carpenter draws from his extensive study challenge commonly-held views about the meaning of Dionysian imagery: women depicted with the god in red-figure vase scenes are demonstrated to be semi-divine nymphs rather than human 'maenads' and cannot be seen as evidence for maenadic practices in Attic cults; although many fifth-century depictions are mock-heroic, the Dionysos of the comic theatre is never represented, nor is the god ever dressed in feminine clothing.It is also argued that the introduction of accessories associated with ecstatic worship in Dionysian scenes can be explained with reference to narratives rather than attributed to cult practices. While seeking to unravel the important social and cultural implications of this religious imagery, Carpenter takes care to point out the problems inherent in the evidence available for scrutiny.

Illustrations:

frontispiece, 48 pp plates

Publication:

Imprint:

Clarendon Press

Returns:

Returnable

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