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Item Details
Title: PATER THE CLASSICIST
CLASSICAL SCHOLARSHIP, RECEPTION, AND AESTHETICISM
By: Charles Martindale (Editor), Stefano Evangelista (Editor), Elizabeth Prettejohn (Editor)
Format: Hardback

List price: £105.00
Our price: £105.00
ISBN 10: 0198723415
ISBN 13: 9780198723417
Availability: Usually dispatched within 1-3 weeks.
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Publisher: OXFORD UNIVERSITY PRESS
Pub. date: 9 March, 2017
Series: Classical Presences
Pages: 368
Description: Pater the Classicist is the first book to address in detail Walter Pater's important contribution to the study of classical antiquity. The contributions presented here discuss his classicism generally, his fiction set in classical antiquity, his writings on Greek art and culture, and those on ancient philosophy.
Synopsis: Pater the Classicist is the first book to address in detail Walter Pater's important contribution to the study of classical antiquity. Widely considered our greatest aesthetic critic and now best known as a precursor to modernist writers and post-modernist thinkers of the twentieth century, Pater was also a classicist by profession who taught at the University of Oxford. He wrote extensively about Greek art and philosophy, but also authored an influential historical novel set in ancient Rome, Marius the Epicurean, and a variety of short stories depicting the survival of classical culture in later ages. These superficially diverging interests actually went closely hand-in-hand: it can plausibly be asserted that it is the classical tradition in its broadest sense, including the question of how to understand its workings and temporalities, which forms Pater's principal subject as a writer. Although he initially approached antiquity obliquely, through the Italian Renaissance, for example, or the poetry of William Morris, later in his career he wrote more, and more directly, about the ancient world, and particularly about Greece, his first love.The essays in this collection cover all his major works and reveal a many-sided and inspirational figure, whose achievements helped to reinvigorate the classical studies that were the basis of the English educational system of the nineteenth century, and whose conception of Classics as cross-disciplinary and outward-looking can be a model to scholars and students today. They discuss his classicism generally, his fiction set in classical antiquity, his writings on Greek art and culture, and those on ancient philosophy, and in doing so they also illuminate Pater's position within his Victorian context, among figures such as J. A. Symonds, Henry Nettleship, Vernon Lee, and Jane Harrison, as well as his place in the study and reception of Classics today.
Publication: UK
Imprint: Oxford University Press
Returns: Returnable
Some other items by this author:
AFTER THE PRE-RAPHAELITES (PB)
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ART FOR ART'S SAKE (HB)
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BRITISH AESTHETICISM AND ANCIENT GREECE
BRITISH AESTHETICISM AND ANCIENT GREECE (HB)
CLASSICS AND THE USES OF RECEPTION
CLASSICS AND THE USES OF RECEPTION
CLASSICS AND THE USES OF RECEPTION (HB)
CLASSICS AND THE USES OF RECEPTION (PB)
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FREDERIC LEIGHTON (HB)
FREDERIC, LORD LEIGHTON (HB)
GIAMPIERO DURONIO AND MAURO MATTIA (PB)
HORACE MADE NEW (PB)
INTERPRETING SARGENT (PB)
J. W. WATERHOUSE (HB)
JOHN MILTON AND THE TRANSFORMATION OF ANCIENT EPIC (HB)
LATIN POETRY AND THE JUDGEMENT OF TASTE (HB)
LATIN POETRY AND THE JUDGEMENT OF TASTE (PB)
LAWRENCE ALMA-TADEMA (HB)
LIFE, LEGEND, LANDSCAPE (PB)
MILTON AND THE TRANSFORMATION OF ANCIENT EPIC (PB)
MODERN PAINTERS, OLD MASTERS (HB)
OVID RENEWED (PB)
REDEEMING THE TEXT (HB)
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ROMANS AND ROMANTICS (HB)
SHAKESPEARE AND THE CLASSICS
SHAKESPEARE AND THE CLASSICS (HB)
SHAKESPEARE AND THE CLASSICS (PB)
SHAKESPEARE AND THE USES OF ANTIQUITY (PB)
THE ART OF THE PRE-RAPHAELITES (PB)
THE CAMBRIDGE COMPANION TO THE PRE-RAPHAELITES (HB)
THE CAMBRIDGE COMPANION TO THE PRE-RAPHAELITES (PB)
THE CAMBRIDGE COMPANION TO VIRGIL
THE CAMBRIDGE COMPANION TO VIRGIL (HB)
THE CAMBRIDGE COMPANION TO VIRGIL (PB)
THE CATULLAN REVOLUTION (PB)
THE HISTORY OF BRITISH ART (HB)
THE MODERNITY OF ANCIENT SCULPTURE (HB)
THE MODERNITY OF ANCIENT SCULPTURE (PB)
THE OXFORD HISTORY OF CLASSICAL RECEPTION IN ENGLISH LITERATURE: THE OXFORD HISTORY OF CLASSICAL RECEPTION IN ENGLISH LITERATURE (HB)
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