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Item Details
| Title:
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BERNINI
ART AS THEATRE |
| By: |
Genevieve Warwick |
| Format: |
Hardback |
| List price:
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£35.00 |
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We believe that this item is permanently unavailable, and so we cannot source
it.
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| ISBN 10: |
0300187068 |
| ISBN 13: |
9780300187069 |
| Publisher: |
YALE UNIVERSITY PRESS |
| Pub. date: |
26 October, 2012 |
| Pages: |
308 |
| Description: |
Drawing parallels between visual and theatrical arts, and highlighting the dramatic amplification of religious art in the period, this study provides a model that can be extended beyond Gian Lorenzo Bernini to enable you to reconsider 17th-century visual culture as a whole. It investigates different types of cultural space for staging of his art. |
| Synopsis: |
Bernini: Art as Theatre forges a new analysis of Baroque illusionism through a study of this artist's sculptural ensembles. Gian Lorenzo Bernini (1598-1680) was a sculptor, architect, and painter, but also a court scenographer, playwright, actor, and director. Bernini's work in theater served as a wellspring for his art's visual effects. Theater was the dominant cultural paradigm of the Baroque, manifest in the rise of opera and ballet, as well as increasingly magnificent scenographic technologies for the performed rituals of church and court. Bernini drew on a lexicon of theatrical effects, deploying light, movement, and a fusion of fictive and physical space to render new forms of artistic illusion in both his sculptural mise-en-scenes and his stage sets. The force of his art's illusionistic powers lay in a fiction of materials effected through medial exchanges between sculpture, painting, and architecture. This book opens up provocative new frameworks for the analysis of Baroque illusionism extending beyond Bernini to a reconsideration of 17th-century visual culture as a whole. |
| Illustrations: |
24 colour images + 42 black-&-white illustrations |
| Publication: |
US |
| Imprint: |
Yale University Press |
| Returns: |
Returnable |
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