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Item Details
Title: AVANT-GARDE GAMBITS, 1888-93
GENDER AND THE COLOUR OF ART HISTORY
By: Griselda Pollock
Format: Paperback

List price: £6.95


We currently do not stock this item, please contact the publisher directly for further information.

ISBN 10: 0500550255
ISBN 13: 9780500550250
Publisher: THAMES & HUDSON LTD
Pub. date: 1 February, 1993
Series: Walter Neurath Memorial Lectures
Pages: 80
Description: In the Walter Neurath Memorial Lecture, Professor Pollock proposes the avant-garde as a series of gambits. Based on Gauguin's 1892 painting of his Tahitian wife, "Manoa Tupapau", she poses questions of cultural, sexual and ethnic difference to make us all self-critical in regard to art history.
Synopsis: In the late 1880s Gauguin, Van Gogh and Bernard abandoned Paris to seek out in rural Brittany, Provence - and later in Tahiti - what Van Gogh called "a purer nature of the countryside". Griselda Pollock challenges art history's usual interpretations of this search for an "art of consolation" in the distant and exotic regions by arguing that these artists were cultural colonizers. They exhibited the modern tourist's attachment to home - modern Paris and its art worlds - while being fascinated by what they imagined was a pre-modern "other". Through a thorough reading of Gauguin's 1892 painting of his Tahitian wife, "Manao Tupapau", the author proposes a new theory about the avant-garde as a series of gambits, a game of reference, deference and difference. This painting refers and defers to Manet's "Olympia" (1863). Where it was seen to differ was in the colour of the nude: critics named it a "brown Olympia".Careful deconstruction of this epithet allows Professor Pollock to explore the ways in which racist discourse structures art and art history, posing questions of cultural, sexual and ethnic difference in order to make us all self-critical, not only in regard to the gender, but also to the colour of art history.
Illustrations: 50 illustrations
Publication: UK
Imprint: Thames & Hudson Ltd
Returns: Non-returnable
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CONCENTRATIONARY CINEMA
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CONCENTRATIONARY CINEMA (PB)
CONCENTRATIONARY IMAGINARIES (HB)
CONCENTRATIONARY MEMORIES (HB)
CONCEPTUAL ODYSSEYS (HB)
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DEALING WITH DEGAS (PB)
DECISION-ANALYTIC INTELLIGENT SYSTEMS
DIFFERENCING THE CANON
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DIFFERENCING THE CANON (HB)
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DIGITAL AND OTHER VIRTUALITIES (HB)
DIGITAL AND OTHER VIRTUALITIES (PB)
ENCOUNTERS IN THE VIRTUAL FEMINIST MUSEUM (HB)
ENCOUNTERS IN THE VIRTUAL FEMINIST MUSEUM (PB)
FEMINISM (HB)
FRAMING FEMINISM (PB)
GENERATIONS AND GEOGRAPHIES IN THE VISUAL ARTS: FEMINIST READINGS
GENERATIONS AND GEOGRAPHIES IN THE VISUAL ARTS: FEMINIST READINGS
GENERATIONS AND GEOGRAPHIES IN THE VISUAL ARTS: FEMINIST READINGS
GENERATIONS AND GEOGRAPHIES IN THE VISUAL ARTS: FEMINIST READINGS
GENERATIONS AND GEOGRAPHIES IN THE VISUAL ARTS: FEMINIST READINGS (HB)
GENERATIONS AND GEOGRAPHIES IN THE VISUAL ARTS: FEMINIST READINGS (PB)
GRISELDA POLLOCK
GRISELDA POLLOCK ON GENDER AND COLOUR IN ART HISTORY (HB)
HANNAH WILKE (PB)
HANNAH WILKE: SCULPTURE 1960S-80S (HB)
IRIGARAY AND THE POLITICAL (PB)
JEWISH ARTISTS IN YORKSHIRE (PB)
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LOOKING BACK TO THE FUTURE
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LOOKING BACK TO THE FUTURE (HB)
LOOKING BACK TO THE FUTURE (PB)
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MARY CASSATT (HB)
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MIGRATORY AESTHETICS
MUSEUMS AFTER MODERNISM
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MUSEUMS AFTER MODERNISM
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MUSEUMS AFTER MODERNISM (PB)
NOW AND THEN - FEMINISM (PB)
OLD MISTRESSES
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PSYCHOANALYSIS AND THE IMAGE
PSYCHOANALYSIS AND THE IMAGE
PSYCHOANALYSIS AND THE IMAGE
PSYCHOANALYSIS AND THE IMAGE
PSYCHOANALYSIS AND THE IMAGE (HB)
PSYCHOANALYSIS AND THE IMAGE (PB)
SEXUALITY AND SURVEILLANCE (HB)
SEXUALITY AND SURVEILLANCE (PB)
SOUNDS OF SUBJECTIVITY (HB)
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THE AFTERLIFE OF MEMORY (CD)
THE MATRIXIAL BORDERSPACE (HB)
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THE SACRED AND THE FEMININE (HB)
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VISION AND DIFFERENCE
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