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Item Details
Title: THE SIGHT OF SOUND
MUSIC, REPRESENTATION AND THE HISTORY OF THE BODY
By: Richard Leppert
Format: Paperback

List price: £31.00
Our price: £24.80
Discount:
20% off
You save: £6.20
ISBN 10: 0520203429
ISBN 13: 9780520203426
Availability: Publisher out of stock. This item may be subject to delays or cancellation.
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Stock: Currently 0 available
Publisher: UNIVERSITY OF CALIFORNIA PRESS
Pub. date: 13 September, 1995
Pages: 345
Description: This text examines the social meanings of music as they have been shaped not only by hearing, but also by seeing music in performance. The author is particularly interested in the relation of music to the human body, arguing that musical practices are inseperable from discourses of power.
Synopsis: Richard Leppert boldly examines the social meanings of music as these have been shaped not only by hearing but also by seeing music in performance. His purview is the northern European bourgeoisie, principally in England and the Low Countries, from 1600 to 1900. And his particular interest is the relation of music to the human body. He argues that musical practices, invariably linked to the body, are inseparable from the prevailing discourses of power, knowledge, identity, desire, and sexuality. With the support of 100 illustrations, Leppert addresses music and the production of racism, the hoarding of musical sound in a culture of scarcity, musical consumption and the policing of gender, the domestic piano and misogyny, music and male anxiety, and the social silencing of music. His unexpected yoking of musicology and art history, in particular his original insights into the relationships between music, visual representation, and the history of the body, make exciting reading for scholars, students, and all those interested in society and the arts.
Illustrations: 100 b&w illustrations
Publication: US
Imprint: University of California Press
Returns: Returnable
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