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Item Details
Title: PERFORMANCE AND POLITICS IN POPULAR DRAMA
ASPECTS OF POPULAR ENTERTAINMENT IN THEATRE, FILM AND TELEVISION, 1800-1976
By: David Bradby (Editor), Louis James (Editor), Bernard Sharratt (Editor)
Format: Paperback

List price: £32.00
Our price: £28.00
Discount:
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You save: £4.00
ISBN 10: 0521285240
ISBN 13: 9780521285247
Availability: Usually dispatched within 1-3 weeks.
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Publisher: CAMBRIDGE UNIVERSITY PRESS
Pub. date: 3 September, 1981
Pages: 344
Synopsis: Since the beginning of the nineteenth-century, many forms of theatre have been called 'popular', but in the twentieth-century the term 'popular drama' has taken on definite political overtones, often indicating a repudiation of 'commercial theatre'. Does this mean that political theatre is or tries to be more attractive to more people than commercial theatre? Does it conversely mean that commercial theatre has no political effects? The articles in this book were submitted as papers for a conference on the theme of 'popular' theatre, film and television. Contributions came from people with very different types of experience: from an ex-animal trainer to a lecturer in film studies; from playwrights, directors and actors to professional critics and academics. Each author focused on a particular problem of defining drama in performance, drawing together the conditions of performance, the types of audience and the political effects of the plays or films in question. The result was a series of fruitful connections and juxtapositions that shows the remarkable continuity of the problems raised in attempts to create a popular political drama.
Illustrations: illustrations, plans, music, bibliography, index
Publication: UK
Imprint: Cambridge University Press
Returns: Returnable
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CARIBBEAN LITERATURE IN ENGLISH
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CARIBBEAN LITERATURE IN ENGLISH (HB)
CARIBBEAN LITERATURE IN ENGLISH (HB)
CARIBBEAN LITERATURE IN ENGLISH (PB)
CHINESE THEATRE AND THE ACTOR IN PERFORMANCE (PB)
DIRECTORS' THEATRE (PB)
DRAMATURGY (HB)
ELIOTICS (PB)
FEMINIST VIEWS ON THE ENGLISH STAGE (HB)
FICTION FOR THE WORKING MAN 1830-50 (HB)
FICTION FOR THE WORKING MAN 1830-50 (PB)
FODOR'S VIENNA'S 25 BEST
FOUR DAYS IN ATHENS (PB)
FREEDOM'S PIONEER
FREEDOM'S PIONEER (HB)
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FRONTLINE DRAMA : THE FRENCH ISSUE (PB)
G. W. M. REYNOLDS (HB)
G.W.M. REYNOLDS
G.W.M. REYNOLDS
JEAN GENET
JEAN GENET
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JEAN GENET
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JEAN GENET (HB)
JEAN GENET (PB)
LANDMARKS OF FRENCH CLASSICAL DRAMA (PB)
LITERARY CONVERSIONS (PB)
MISE EN SCENE FRENCH THEATRE NOW
MISE EN SCENE FRENCH THEATRE NOW
MISE EN SCENE FRENCH THEATRE NOW (PB)
MODERN FRENCH DRAMA 1940-1980 (PB)
MODERN FRENCH DRAMA 1940-1990 (HB)
MODERN FRENCH DRAMA 1940-1990 (PB)
MORALITY AND JUSTICE (HB)
MORALITY AND JUSTICE (PB)
MOVING BODY (PB)
PEER GYNT (HB)
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PERFORMANCE AND POLITICS IN POPULAR DRAMA
POLITICS & LETTERS (PB)
PRINT AND THE PEOPLE 1819-1851 (HB)
PRINT AND THE PEOPLE 1819-1851 (PB)
STAGING THE HOLOCAUST (HB)
STAGING THE HOLOCAUST (PB)
STRATEGIES OF POLITICAL THEATRE (PB)
THE CAMBRIDGE COMPANION TO MOLIERE (HB)
THE CAMBRIDGE COMPANION TO MOLIERE (PB)
THE LITERARY LABYRINTH (HB)
THE LOUIS JAMES ACTING VERSION OF PEER GYNT
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THE MYSTERIES OF LONDON, VOL. I [UNABRIDGED & ILLUSTRATED]
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THE POLITICS OF ALTERNATIVE THEATRE IN BRITAIN, 1968-1990 (PB)
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THE XENOPHOBE'S GUIDE TO THE AUSTRIANS (PB)
THE XENOPHOBE'S GUIDE TO THE AUSTRIANS (PB)
THEATRE DE CHAMBRE (PB)
VIENNA UP CLOSE (PB)
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VINAVER PLAYS: 1
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VINAVER PLAYS: 2

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