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Item Details
Title: STORYTELLING IN FILM AND TELEVISION
By: Kristin Thompson
Format: Paperback

List price: £30.95
Our price: £24.14
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22% off
You save: £6.81
ISBN 10: 0674010876
ISBN 13: 9780674010871
Availability: Usually dispatched within 1-3 weeks.
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Publisher: HARVARD UNIVERSITY PRESS
Pub. date: 30 June, 2003
Pages: 192
Description: The secret of television's success may well lie in the remarkable narrative complexities underlying its seeming simplicity, complexities Kristin Thompson unmasks in this analysis of the narrative workings of television and film.
Synopsis: Derided as simple, dismissed as inferior to film, famously characterized as a vast wasteland, television nonetheless exerts an undeniable, apparently inescapable power in our culture. The secret of television's success may well lie in the remarkable narrative complexities underlying its seeming simplicity, complexities Kristin Thompson unmasks in this analysis of the narrative workings of television and film. After first looking at the narrative techniques the two media share, Thompson focuses on the specific challenges that series television presents and the tactics writers have devised to meet them - tactics that sustain interest and maintain sense across multiple plots and sub-plots and in spite of frequent interruptions as well as week-long and seasonal breaks. Beyond adapting the techniques of film, Thompson argues, television has wrought its own changes in traditional narrative form. Drawing on classics of film and television, as well as more contemporary series like "Buffy the Vampire Slayer", "The Sopranos" and "The Simpsons", she shows how adaptations, sequels, series and sagas have altered long-standing notions of closure and single authorship.And in a comparison of David Lynch's "Blue Velvet" and "Twin Peaks", she asks whether there can be an "art television" comparable to the more familiar "art cinema".
Illustrations: 4 halftones, 5 tables
Publication: US
Imprint: Harvard University Press
Returns: Returnable
Some other items by this author:
BREAKING THE GLASS ARMOR (PB)
CINEMA AND NATION (PB)
FILM ART (HB)
FILM ART (HB)
FILM ART (PB)
FILM ART (PB)
FILM ART (PB)
FILM ART (PB)
FILM ART (PB)
FILM ART: AN INTRODUCTION
FILM ART: AN INTRODUCTION (HB)
FILM ART: AN INTRODUCTION (PB)
FILM ART: AN INTRODUCTION (PB)
FILM ART: AN INTRODUCTION (PB)
FILM HISTORY (PB)
FILM HISTORY (PB)
FILM HISTORY (PB)
FILM HISTORY (PB)
FILM HISTORY (PB)
FILM HISTORY: AN INTRODUCTION (HB)
FILM HISTORY: AN INTRODUCTION (PB)
FILM HISTORY: AN INTRODUCTION (PB)
HERR LUBITSCH GOES TO HOLLYWOOD
HERR LUBITSCH GOES TO HOLLYWOOD (HB)
INTERNATIONAL CINEMA OF THE 1910S (PB)
ISE FILM ART: AN INTRODUCTION
ISE FILM HISTORY: AN INTRODUCTION
MINDING MOVIES (HB)
MINDING MOVIES (PB)
MOVING IMAGES (PB)
STATUARY FROM ROYAL BUILDINGS AT AMARNA (HB)
STORYTELLING IN THE NEW HOLLYWOOD (PB)
THE "FRODO" FRANCHISE (PB)
THE CLASSICAL HOLLYWOOD CINEMA
THE CLASSICAL HOLLYWOOD CINEMA
THE CLASSICAL HOLLYWOOD CINEMA
THE CLASSICAL HOLLYWOOD CINEMA
THE CLASSICAL HOLLYWOOD CINEMA (HB)
THE CLASSICAL HOLLYWOOD CINEMA (PB)
THE CLASSICAL HOLLYWOOD CINEMA (PB)
THE FRODO FRANCHISE

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