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Item Details
Title: VIRTUE AND VICE
THE PERSONIFICATIONS IN THE INDEX OF CHRISTIAN ART
By: Colum Hourihane (Editor)
Format: Paperback

List price: £40.00
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ISBN 10: 0691050376
ISBN 13: 9780691050379
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Publisher: PRINCETON UNIVERSITY PRESS
Pub. date: 10 April, 2000
Series: Publications of the Department of Art and Archaeology, Princeton University
Pages: 468
Description: The concept of opposing forces of good and evil expressed in a range of moral qualities - virtues and vices - is one of the dominant themes in the history of Christian art. This catalogue documents the occurrence of the Virtues and Vices in well over 1,000 works of art produced between the fifth and the fifteenth centuries.
Synopsis: The concept of opposing forces of good and evil expressed in a broad range of moral qualities--virtues and vices--is one of the most dominant themes in the history of Christian art. The complex interrelationship of these moral traits received considerable study in the medieval period, resulting in a vast and elaborate system of imagery that has been largely neglected by modern scholarship. Rich resources for the study of this important subject are made available by this volume, which publishes the complete holdings of the more than 230 personifications of Virtues and Vices in the Index of Christian Art's text files. Ranging from Abstinence to Wisdom and from Ambition to Wrath, and covering depictions of the Tree of Virtues, the Tree of Vices, and the Conflict of Virtues and Vices, this is the largest and most comprehensive collection of such personifications in existence. The catalogue documents the occurrence of these Virtues and Vices in well over 1,000 works of art produced between the fifth and the fifteenth centuries. The entries include objects in twelve different media and give detailed information on their current location, date, and subject. This extract from the Index of Christian Art's files, the first to be published, is accompanied by six essays devoted to the theme of virtue and vice. They investigate topics such as the didactic function of the bestiaries and the Physiologus, female personifications in the Psychomachia of Prudentius, the Virtues in the Floreffe Bible frontispiece, and good and evil in the architectural sculpture of German sacramentary houses. The contributors are Ron Baxter, Anne-Marie Bouche, Jesse M. Gellrich, S. Georgia Nugent, Colum Hourihane, and Achim Timmerman.
Illustrations: 64 halftones
Publication: US
Imprint: Princeton University Press
Returns: Returnable
Some other items by this author:
ABRAHAM IN MEDIEVAL CHRISTIAN, ISLAMIC, AND JEWISH ART (PB)
BETWEEN THE PICTURE AND THE WORD (HB)
BETWEEN THE PICTURE AND THE WORD (PB)
FROM IRELAND COMING (HB)
FROM IRELAND COMING (PB)
FROM MINOR TO MAJOR (PB)
GOTHIC ART AND THOUGHT IN THE LATER MEDIEVAL PERIOD (PB)
GOTHIC ART IN IRELAND, 1169-1550 (HB)
IMAGE AND BELIEF (HB)
IMAGE AND BELIEF (PB)
INSIGHTS AND INTERPRETATIONS (HB)
INSIGHTS AND INTERPRETATIONS (PB)
INSULAR AND ANGLO-SAXON ART AND THOUGHT IN THE EARLY MEDIEVAL PERIOD (PB)
INTERACTIONS (HB)
INTERACTIONS (PB)
IRISH ART HISTORICAL STUDIES IN HONOUR OF PETER HARBISON (HB)
KING DAVID IN THE INDEX OF CHRISTIAN ART (HB)
KING DAVID IN THE INDEX OF CHRISTIAN ART (PB)
LOOKING BEYOND (PB)
MANUSCRIPTA ILLUMINATA (PB)
OBJECTS, IMAGES, AND THE WORD (HB)
OBJECTS, IMAGES, AND THE WORD (PB)
PATRONAGE, POWER, AND AGENCY IN MEDIEVAL ART (PB)
PONTIUS PILATE, ANTI-SEMITISM, AND THE PASSION IN MEDIEVAL ART (HB)
ROMANESQUE ART AND THOUGHT IN THE TWELFTH CENTURY (HB)
ROMANESQUE ART AND THOUGHT IN THE TWELFTH CENTURY (PB)
THE GROVE ENCYCLOPEDIA OF MEDIEVAL ART AND ARCHITECTURE (HB)
THE MASON AND HIS MARK (PB)
THE PROCESSIONAL CROSS IN LATE MEDIEVAL ENGLAND (HB)
THE ROUTLEDGE COMPANION TO MEDIEVAL ICONOGRAPHY
THE ROUTLEDGE COMPANION TO MEDIEVAL ICONOGRAPHY
THE ROUTLEDGE COMPANION TO MEDIEVAL ICONOGRAPHY
THE ROUTLEDGE COMPANION TO MEDIEVAL ICONOGRAPHY (HB)
TIME IN THE MEDIEVAL WORLD (HB)
TIME IN THE MEDIEVAL WORLD (PB)
VIRTUE AND VICE (HB)

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