 |
|
|
Item Details
| Title:
|
THE CULTURE OF OPERA BUFFA IN MOZART'S VIENNA
A POETICS OF ENTERTAINMENT |
| By: |
Mary Hunter |
| Format: |
Hardback |
| List price:
|
£109.00 |
|
We currently do not stock this item, please contact the publisher directly for
further information.
|
|
|
|
|
|
| ISBN 10: |
0691058121 |
| ISBN 13: |
9780691058122 |
| Publisher: |
PRINCETON UNIVERSITY PRESS |
| Pub. date: |
12 April, 1999 |
| Series: |
Princeton Studies in Opera |
| Pages: |
312 |
| Description: |
Offers a view of opera buffa in the theatrical world of late-eighteenth-century Vienna. This book attributes opera buffa's success to its ability to provide 'sheer' pleasure and hence explores how the genre functioned as entertainment. It shows how the arias and ensembles convey a multifaceted picture of the repertory's social values and habits. |
| Synopsis: |
Mozart's comic operas are among the masterworks of Western civilization, and yet the musical environment in which Mozart and his librettist Lorenzo da Ponte wrote these now-popular operas has received little critical attention. In this richly detailed book, Mary Hunter offers a sweeping, synthetic view of opera buffa in the lively theatrical world of late-eighteenth-century Vienna. Opera buffa (Italian-language comic opera) persistently entertained audiences at a time when Joseph was striving for a German national theater. Hunter attributes opera buffa's success to its ability to provide "sheer" pleasure and hence explores how the genre functioned as entertainment. She argues that opera buffa, like mainstream film today, projects a social world both recognizable and distinct from reality. It raises important issues while containing them in the "merely entertaining" frame of the occasion, as well as presenting them as a series of easily identifiable dramatic and musical conventions. Exploring nearly eighty comic operas, Hunter shows how the arias and ensembles convey a multifaceted picture of the repertory's social values and habits. In a concluding chapter, she discusses Cos" fan tutte as a work profoundly concerned with the conventions of its repertory and with the larger idea of convention itself and reveals the ways Mozart and da Ponte pointedly converse with their immediate contemporaries. |
| Illustrations: |
54 music examples |
| Publication: |
US |
| Imprint: |
Princeton University Press |
| Prizes: |
Winner of American Musicological Society's Otto Kinkeldey Prize for best
Joint winner of Otto Kinkeldey Award of the American Musicological Society |
| Returns: |
Returnable |
|
|
|
 |
|
|
|
|
|
Little Worried Caterpillar (PB)
Little Green knows she''s about to make a big change - transformingfrom a caterpillar into a beautiful butterfly. Everyone is VERYexcited! But Little Green is VERY worried. What if being a butterflyisn''t as brilliant as everyone says?Join Little Green as she finds her own path ... with just a littlehelp from her friends.
|
|
All the Things We Carry PB
What can you carry?A pebble? A teddy? A bright red balloon? A painting you''ve made?A hope or a dream?This gorgeous, reassuring picture book celebrates all the preciousthings we can carry, from toys and treasures to love and hope. With comforting rhymes and fabulous illustrations, this is a warmhug of a picture book.
|
|
|
|