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Item Details
Title: BORDERLANDS
HOW WE TALK ABOUT CANADA
By: W. H. New
Format: Paperback

List price: £20.99


We currently do not stock this item, please contact the publisher directly for further information.

ISBN 10: 0774806591
ISBN 13: 9780774806596
Publisher: UNIVERSITY OF BRITISH COLUMBIA PRESS
Pub. date: 1 June, 1998
Series: Brenda and David McLean Canadian Studies
Pages: 128
Description: In Borderlands, W.H. New poetically and metaphorically considers the image of 'the border' in Canada and how it affects the way Canadians look at themselves and their society.
Synopsis: Under the general title of Borderlands, the three relatedessays in this monograph address the rhetoric of border/boundary inCanadian studies and its social, political, and cultural implications,the character of cultural responses to Canada-US border tensions, andtwo specific examples of how border transgressions continue to affectcurrent Washington State and British Columbia cultural expression.A number of motifs appear throughout these essays, including thepolitics of separation, the persistence of racist discourse in NorthAmerica (and of attempts to counter it), the role of education ininforming public debate, the existence of communally-held social valuesin Canada, the necessity of the arts, the power of language, and therelation between social choice and indeterminacy.The first essay, 'Giddy Limits,' ranges the most widely,drawing on examples from history and literature, geography and popularculture. It elucidates the politics of various recurrent rhetoricalstrategies in Canadian cultural commentary. The second essay, 'TheEdge of Everything,' pursues a series of specific applications of'border rhetoric' (including irony, national policies, andoppositional strategies) to Canada-US relations. The third essay,'The Centre of Somewhere Else,' looks in part at the rhetoricof two contemporary writers (Seattle's David Guterson andVictoria's Jack Hodgins) in relation to the 1859 Pig War and tocurricular reform. This final essay demonstrates further how the largeissues raised in the first two essays resonate both in historicalnarrative and in contemporary social and cultural practice.
Publication: Canada
Imprint: University of British Columbia Press
Prizes: Winner of Alcuin Citation for excellence in book design in Canada, Alcuin Winner of Bronze Medal, Leipzig International Book Art Competition for best
Returns: Returnable
Some other items by this author:
A HISTORY OF CANADIAN LITERATURE (HB)
A HISTORY OF CANADIAN LITERATURE (PB)
A HISTORY OF CANADIAN LITERATURE (PB)
BORDERLANDS
BORDERLANDS (HB)
CANADIAN WRITERS IN 1984
CANADIAN WRITERS IN 1984 (HB)
DICTIONARY OF LITERARY BIOGRAPHY (HB)
DICTIONARY OF LITERARY BIOGRAPHY (HB)
DICTIONARY OF LITERARY BIOGRAPHY (HB)
DICTIONARY OF LITERARY BIOGRAPHY (HB)
DICTIONARY OF LITERARY BIOGRAPHY (HB)
DICTIONARY OF LITERARY BIOGRAPHY (HB)
DREAM HELMET (PB)
DREAMS OF SPEECH AND VIOLENCE (HB)
ENCYCLOPEDIA OF LITERATURE CANADA (HB)
ENCYCLOPEDIA OF LITERATURE IN CANADA
FROM A SPEAKING PLACE (PB)
GRANDCHILD OF EMPIRE (PB)
INSIDE THE POEM (PB)
LAND SLIDING
LAND SLIDING (PB)
LITERARY HISTORY OF CANADA (HB)
LITERARY HISTORY OF CANADA (PB)
LLAMAS IN THE LAUNDRY (HB)
NATIVE WRITERS AND CANADIAN WRITING
NATIVE WRITERS AND CANADIAN WRITING (PB)
READING MANSFIELD AND METAPHORS OF FORM (HB)
THE YEAR I WAS GROUNDED (PB)
TROPES AND TERRITORIES (HB)
VANILLA GORILLA (PB)

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