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Item Details
Title: THE TURN TO GRUESOMENESS IN AMERICAN HORROR FILMS, 1931-1936
By: Jon Towlson
Format: Paperback

List price: £29.95
Our price: £26.96
Discount:
10% off
You save: £2.99
ISBN 10: 0786494743
ISBN 13: 9780786494743
Availability: Usually dispatched within 1-3 weeks.
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Stock: Currently 0 available
Publisher: MCFARLAND & CO INC
Pub. date: 30 August, 2016
Pages: 240
Description: Taking a fresh look at the horror genre from 1931 to 1936, this critical study examines "happy ending" horror in relation to industry practices and censorship. Early works like Murders in the Rue Morgue (1932) and The Raven (1935) may be more akin to The Texas Chain Saw Massacre (2003) and Saw (2004) than many critics believe.
Synopsis: Critics have traditionally characterized classic horror by its use of shadow and suggestion. Yet the graphic nature of early 1930s films only came to light in the home video/DVD era. Along with gangster movies and "sex pictures," horror films drew audiences during the Great Depression with sensational screen content. Exploiting a loophole in the Hays Code, which made no provision for on-screen "gruesomeness," studios produced remarkably explicit films that were recut when the Code was more rigidly enforced from 1934. This lead to a modern misperception that classic horror was intended to be safe and reassuring to audiences. Taking a fresh look at the genre from 1931 through 1936, this critical study examines "happy ending" horror in relation to industry practices and censorship. Early works like Murders in the Rue Morgue (1932) The Raven (1935) may be more akin to The Texas Chain Saw Massacre (2003) and Saw (2004) than many critics believe.
Illustrations: 25 illustrations
Publication: US
Imprint: McFarland & Co Inc
Returns: Non-returnable
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