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Item Details
Title: RASHOMON
By: Donald Richie (Editor)
Format: Paperback

List price: £31.00
Our price: £27.90
Discount:
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You save: £3.10
ISBN 10: 0813511801
ISBN 13: 9780813511801
Availability: Usually dispatched within 1-3 weeks.
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Publisher: RUTGERS UNIVERSITY PRESS
Pub. date: 31 December, 1986
Series: Rutgers films in print series
Pages: 212
Description: This volume brings together the full continuity script of "Rashomon", an essay by Donald Richie on "Rashomon", the Akutagawa Stories upon which the film is based, critical reviews and commentaries on the film and a filmography.
Synopsis: Rashomon is one of the greatest of Japanese director Akira Kurosawa's films, the winner of the 1951 Venice Festival prize and the Academy Award for best foreign film in 1952. It features Toshiru Mifune, the best-known Japanese actor in the West, as the bandit, and accused rapist and murderer. At the beginning of the film, a woodcutter, priest, and commoner happen to meet at the ruined gate--Rashomon--outside the city of Kyoto. This tale of rape and murder is first seen through the eyes of the woodcutter and priest, both of whom have been touched by the events. The cynical, detached commoner, "everyman," listens to and comments upon their stories. The central section of the film, a series of flashbacks and tales within tales, consists of the same events retold by the husband (speaking through a medium, from the grave), the wife, the bandit, and the woodcutter. Each tells what happened--or possibly, what should have happened. The film deals with multiple truths; Richie summarized the director's point of view in the introduction: "the world is illusion, you yourself make reality, but this reality undoes you if you submit to being limited by what you have made."The sixth title in the Rutgers Films in Print Series and the first Japanese film, this volume brings together for the first time the full continuity script of Rashomon; an introductory essay by Donald Richie; the Akutagawa stories upon which the film is based; critical review and commentaries of the film; a filmography; and a bibliography. Donald Richie is the author of the definitive books in English on Kurosawa and Ozu. In addition, he is coauthor of the standard English-language history of the Japanese film and author or editor of several other books on the subject. He has also served as film critic for the Japan Times and as curator of film at the Museum of Modern Art in New York.
Illustrations: black & white illustrations
Publication: US
Imprint: Rutgers University Press
Returns: Returnable
Some other items by this author:
A CRITICAL HANDBOOK OF JAPANESE FILM DIRECTORS
A CRITICAL HANDBOOK OF JAPANESE FILM DIRECTORS (PB)
A LATERAL VIEW
A LATERAL VIEW (PB)
A TRACTATE ON JAPANESE AESTHETICS
A TRACTATE ON JAPANESE AESTHETICS (PB)
CARL RANDALL - JAPAN PORTRAITS (PB)
FAIR DALLIANCE (PB)
GLIMPSES OF UNFAMILIAR JAPAN
GLIMPSES OF UNFAMILIAR JAPAN (PB)
HISTORY OF TOKYO 1867-1989
HUNDRED YEARS OF JAPANESE FILM, A: A CONCISE HISTORY, WITH A SELECTIVE GUIDE TO DVDS AND VIDEOS (PB)
JAPANESE FILM (HB)
JAPANESE PORTRAITS
JAPANESE PORTRAITS (PB)
JAPANESE PORTRAITS (PB)
JAPANESE STONE GARDENS
JAPANESE STONE GARDENS (HB)
JAPANESE STONE GARDENS (HB)
JAPANESE STONE GARDENS (HB)
MEMOIRS OF THE WARRIOR KUMAGAI
MEMORIES OF THE WARRIOR KUMAGAI (PB)
OLD KYOTO: A GUIDE TO TRADITIONAL SHOPS, RESTAURANTS, AND INNS (PB)
OUTCAST SAMURAI DANCER (PB)
OZU (PB)
RYOKAN (HB)
SCARLET GANG OF ASAKUSA (PB)
THE BROKEN BRIDGE
THE BROKEN BRIDGE (PB)
THE DONALD RICHIE READER (PB)
THE FILMS OF AKIRA KUROSAWA, THIRD EDITION, EXPANDED AND UPDATED (PB)
THE HONORABLE VISITORS (PB)
THE IMAGE FACTORY (PB)
THE INLAND SEA
THE INLAND SEA (PB)
THE INLAND SEA (PB)
THE JAPAN JOURNALS
THE JAPAN JOURNALS (PB)
THE JAPANESE FILM (PB)
THE JAPANESE PERIOD FILM (PB)
THE JAPANESE TATTOO (PB)
THE TEMPLES OF KYOTO
THE TEMPLES OF KYOTO (HB)
TOKYO
TOKYO (PB)
TOKYO FROM EDO TO SHOWA 1867-1989
TOKYO MEGACITY
TOKYO MEGACITY (HB)
TOKYO MEGACITY (HB)
TOKYO STORY (PB)
TRAVELS IN THE EAST
TRAVELS IN THE EAST (PB)
VIEWED SIDEWAYS
VIEWED SIDEWAYS (PB)
VIEWING FILM (PB)
WAITING ON THE WEATHER (HB)

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