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Item Details
Title: PRETEND WE'RE DEAD
CAPITALIST MONSTERS IN AMERICAN POP CULTURE
By: Annalee Newitz
Format: Hardback

List price: £85.00


We currently do not stock this item, please contact the publisher directly for further information.

ISBN 10: 0822337339
ISBN 13: 9780822337331
Publisher: DUKE UNIVERSITY PRESS
Pub. date: 17 July, 2006
Pages: 232
Description: Argues that the zombies and murderers in American film and literature embody the violent contradictions of capitalism. This book reveals that each creature has its own tale about how a free-wheeling market economy turns human beings into monstrosities. It tracks the monsters spawned by capitalism through pulp fiction, and Hollywood blockbusters.
Synopsis: In Pretend We're Dead, Annalee Newitz argues that the slimy zombies and gore-soaked murderers who have stormed through American film and literature over the past century embody the violent contradictions of capitalism. Ravaged by overwork, alienated by corporate conformity, and mutilated by the unfettered lust for profit, fictional monsters act out the problems with an economic system that seems designed to eat people whole.Newitz looks at representations of serial killers, mad doctors, the undead, cyborgs, and unfortunates mutated by their involvement with the mass media industry. Whether considering the serial killer who turns murder into a kind of labor by mass producing dead bodies, or the hack writers and bloodthirsty actresses trapped inside Hollywood's profit-mad storytelling machine, she reveals that each creature has its own tale to tell about how a freewheeling market economy turns human beings into monstrosities.Newitz tracks the monsters spawned by capitalism through b movies, Hollywood blockbusters, pulp fiction, and American literary classics, looking at their manifestations in works such as Norman Mailer's "true life novel" The Executioner's Song; the short stories of Isaac Asimov and H. P. Lovecraft; the cyberpunk novels of William Gibson and Marge Piercy; true-crime books about the serial killers Ted Bundy and Jeffrey Dahmer; and movies including Modern Times (1936), Donovan's Brain (1953), Night of the Living Dead (1968), RoboCop (1987), The Silence of the Lambs (1991), and Artificial Intelligence: AI (2001). Newitz shows that as literature and film tell it, the story of American capitalism since the late nineteenth century is a tale of body-mangling, soul-crushing horror.
Illustrations: 18 b&w photos
Publication: US
Imprint: Duke University Press
Returns: Returnable
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