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Item Details
| Title:
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DIVERSITY IN DIASPORA
HMONG AMERICANS IN THE TWENTY-FIRST CENTURY |
| By: |
Mark Edward Pfeifer (Editor), Monica Chiu (Editor), Kou Yang (Editor) |
| Format: |
Microfilm |
| List price:
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£60.00 |
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We believe that this item is permanently unavailable, and so we cannot source
it.
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| ISBN 10: |
0824835972 |
| ISBN 13: |
9780824835972 |
| Publisher: |
UNIVERSITY OF HAWAI'I PRESS |
| Pub. date: |
31 January, 2013 |
| Pages: |
312 |
| Description: |
This anthology presents the spectrum of contemporary social science research on Hmong Americans and their communities. It proposes to address the following questions: What is the state of contemporary research related to Hmong Americans? In which areas |
| Synopsis: |
This anthology wrestles with Hmong Americans' inclusion into and contributions to Asian American studies, as well as to American history and culture and refugee, immigrant, and diasporic trajectories. It negotiates both Hmong American political and cultural citizenship, meticulously rewriting the established view of the Hmong as "new" Asian neighbours--an approach articulated, Hollywood style, in Clint Eastwood's film Gran Torino . The collection boldly moves Hmong American studies away from its usual groove of refugee recapitulation that entrenches Hmong Americans points-of-origin and acculturation studies rather than propelling the field into other exciting academic avenues. Following a summary of more than three decades' of Hmong American experience and a demographic overview, chapters investigate the causes of and solutions to socioeconomic immobility in the Hmong American community and political and civic activism, including Hmong American electoral participation and its affects on policymaking. The influence of Hmong culture on young men is examined, followed by profiles of female Hmong leaders who discuss the challenges they face and interviews with aging Hmong Americans.A section on arts and literature looks at the continuing relevance of oral tradition to Hmong Americans' successful navigation in the diaspora, similarities between rap and kwv txhiaj (unrehearsed, sung poetry), and Kao Kalia Yang's memoir, The Latehomecomer . The final chapter addresses the lay of the land in Hmong American studies, constituting a comprehensive literature review. Diversity in Diaspora showcases the desire to shape new contours of Hmong American studies as Hmong American scholars themselves address new issues. It represents an essential step in carving out space for Hmong Americans as primary actors in their own right and in placing Hmong American studies within the purview of Asian American studies. |
| Publication: |
US |
| Imprint: |
University of Hawai'i Press |
| Returns: |
Returnable |
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