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Item Details
Title:
POPULAR MUSIC AND THE STATE IN THE UK
CULTURE, TRADE OR INDUSTRY?
By:
Professor Martin Cloonan
Format:
Paperback
List price:
£49.99
Our price:
£44.99
Discount:
10
% off
You save:
£5.00
ISBN 10:
1138246549
ISBN 13:
9781138246546
Availability:
Usually dispatched within 1-3 weeks.
Delivery rates
Stock:
Currently
0
available
Publisher:
TAYLOR & FRANCIS LTD
Pub. date:
9 September, 2016
Series:
Ashgate Popular and Folk Music Series
Pages:
180
Synopsis:
In an era of the rise of the free market and economic globalization, Martin Cloonan examines why politicians and policymakers in the UK have sought to intervene in popular music - a field that has often been held up as the epitome of the free market form. Cloonan traces the development of government attitudes and policies towards popular music from the 1950s to the present, discovering the prominence of two overlapping concerns: public order and the political economy of music. Since the music industry began to lobby politicians, particularly on the issue of copyright in relation to the internet, an inherent tension has become apparent with economic rationale on one side, and Romantic notions of 'the artist' on the other. Cloonan examines the development of policy under New Labour; numerous reports which have charted the economics of the industry; the New Deal for Musicians scheme and the impact of devolution on music policy in Scotland.He makes the case for the inherently political nature of popular music and asserts that the development of popular music policies can only be understood in the context of an increasingly close working relationship between government and the cultural industries. In addition he argues that a rather myopic view of the music industries has meant that policy initiatives have lacked cohesion and have generally served the interests of multinational corporations rather than struggling musicians.
Publication:
UK
Imprint:
Routledge
Returns:
Returnable
Some other items by this author:
DARK SIDE OF THE TUNE: POPULAR MUSIC AND VIOLENCE
DARK SIDE OF THE TUNE: POPULAR MUSIC AND VIOLENCE
DARK SIDE OF THE TUNE: POPULAR MUSIC AND VIOLENCE (HB)
DARK SIDE OF THE TUNE: POPULAR MUSIC AND VIOLENCE (PB)
HISTORY OF LIVE MUSIC IN BRITAIN (HB)
HISTORY OF LIVE MUSIC IN BRITAIN, VOLUME II, 1968-1984
HISTORY OF LIVE MUSIC IN BRITAIN, VOLUME III, 1985-2015
PLAYERS' WORK TIME
PLAYERS' WORK TIME
PLAYERS' WORK TIME (HB)
PLAYERS' WORK TIME (PB)
POLICING POP (HB)
POLICING POP (PB)
POPULAR MUSIC AND CULTURAL POLICY (HB)
POPULAR MUSIC AND CULTURAL POLICY (PB)
POPULAR MUSIC AND THE STATE IN THE UK
POPULAR MUSIC AND THE STATE IN THE UK
POPULAR MUSIC AND THE STATE IN THE UK
POPULAR MUSIC AND THE STATE IN THE UK
POPULAR MUSIC AND THE STATE IN THE UK
POPULAR MUSIC AND THE STATE IN THE UK (HB)
POPULAR MUSIC CENSORSHIP IN AFRICA
POPULAR MUSIC CENSORSHIP IN AFRICA
POPULAR MUSIC CENSORSHIP IN AFRICA
POPULAR MUSIC CENSORSHIP IN AFRICA
POPULAR MUSIC CENSORSHIP IN AFRICA
POPULAR MUSIC CENSORSHIP IN AFRICA (HB)
POPULAR MUSIC CENSORSHIP IN AFRICA (PB)
POPULAR MUSIC INDUSTRIES AND THE STATE
POPULAR MUSIC INDUSTRIES AND THE STATE
POPULAR MUSIC INDUSTRIES AND THE STATE
POPULAR MUSIC INDUSTRIES AND THE STATE
POPULAR MUSIC INDUSTRIES AND THE STATE (HB)
THE HISTORY OF LIVE MUSIC IN BRITAIN (HB)
THE HISTORY OF LIVE MUSIC IN BRITAIN, 1968-1984 (HB)
THE HISTORY OF LIVE MUSIC IN BRITAIN, VOLUME I: 1950-1967
THE HISTORY OF LIVE MUSIC IN BRITAIN, VOLUME I: 1950-1967
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