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Item Details
Title: MELODRAMATIC VOICES: UNDERSTANDING MUSIC DRAMA
By: Professor Sarah Hibberd, Professor Roberta Montemorra Marvin, Professor Sarah Hibberd (Editor)
Format: Hardback

List price: £145.00
Our price: £130.50
Discount:
10% off
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ISBN 10: 1409400824
ISBN 13: 9781409400820
Availability: Usually dispatched within 1-3 weeks.
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Publisher: TAYLOR & FRANCIS LTD
Pub. date: 28 October, 2011
Series: Ashgate Interdisciplinary Studies in Opera
Pages: 314
Description: The genre of melodrame a grand spectacle that emerged in the boulevard theatres of Paris in the 1790s - and which was quickly exported abroad - expressed the moral struggle between good and evil through a drama of heightened emotions. This volume may appeal to those interested in film studies, drama, and theatre as well as music and opera.
Synopsis: The genre of melodrame A grand spectacle that emerged in the boulevard theatres of Paris in the 1790s - and which was quickly exported abroad - expressed the moral struggle between good and evil through a drama of heightened emotions. Physical gesture, mise en scene and music were as important in communicating meaning and passion as spoken dialogue. The premise of this volume is the idea that the melodramatic aesthetic is central to our understanding of nineteenth-century music drama, broadly defined as spoken plays with music, operas and other hybrid genres that combine music with text and/or image. This relationship is examined closely, and its evolution in the twentieth century in selected operas, musicals and films is understood as an extension of this nineteenth-century aesthetic. The book therefore develops our understanding of opera in the context of melodrama's broader influence on musical culture during the nineteenth and twentieth centuries. This book will appeal to those interested in film studies, drama, theatre and modern languages as well as music and opera.
Illustrations: Includes 9 b&w illustrations and 28 musical examples
Publication: UK
Imprint: Ashgate Publishing Limited
Returns: Returnable
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