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Item Details
Title: NINETEENTH-CENTURY TRANSATLANTIC REPRINTING AND THE EMBODIED BOOK
By: Jessica Despain, Dr. Kevin Hutchings, Dr. Julia M. Wright
Format: Hardback

List price: £145.00
Our price: £130.50
Discount:
10% off
You save: £14.50
ISBN 10: 1409432009
ISBN 13: 9781409432005
Availability: Usually dispatched within 1-3 weeks.
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Stock: Currently 0 available
Publisher: TAYLOR & FRANCIS LTD
Pub. date: 29 August, 2014
Series: Ashgate Series in Nineteenth-Century Transatlantic Studies
Pages: 224
Description: Jessica DeSpain examines reprints by Charles Dickens, Susan Warner, Fanny Kemble and Walt Whitman to theorize the ongoing transatlantic transformation of texts that took place before adoption of the Chace Act of 1891. As authors, readers, and publishers struggled with the unpredictability of the textual body.
Synopsis: Until the Chace Act in 1891, no international copyright law existed between Britain and the United States, which meant publishers were free to edit text, excerpt whole passages, add new illustrations, and substantially redesign a book's appearance. In spite of this ongoing process of transatlantic transformation of texts, the metaphor of the book as a physical embodiment of its author persisted. Jessica DeSpain's study of this period of textual instability examines how the physical book acted as a major form of cultural exchange between Britain and the United States that called attention to volatile texts and the identities they manifested. Focusing on four influential works"Charles Dickens's American Notes for General Circulation, Susan Warner's The Wide, Wide World, Fanny Kemble's Journal of a Residence on a Georgian Plantation, and Walt Whitman's Democratic Vistas"DeSpain shows that for authors, readers, and publishers struggling with the unpredictability of the textual body, the physical book and the physical body became interchangeable metaphors of flux.At the same time, discourses of destabilized bodies inflected issues essential to transatlantic culture, including class, gender, religion, and slavery, while the practice of reprinting challenged the concepts of individual identity, personal property, and national identity.
Illustrations: Includes 22 b&w illustrations
Publication: UK
Imprint: Ashgate Publishing Limited
Returns: Returnable
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