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Item Details
Title: GRETRY'S OPERAS AND THE FRENCH PUBLIC
FROM THE OLD REGIME TO THE RESTORATION
By: R. J. Arnold, Professor Roberta Montemorra Marvin
Format: Hardback

List price: £160.00
Our price: £144.00
Discount:
10% off
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ISBN 10: 1472438507
ISBN 13: 9781472438508
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Publisher: TAYLOR & FRANCIS LTD
Pub. date: 7 December, 2015
Series: Ashgate Interdisciplinary Studies in Opera
Pages: 244
Synopsis: Why, in the dying days of the Napoleonic Empire, did half of Paris turn out for the funeral of a composer? The death of Andre Ernest Modeste Gretry in 1813 was one of the sensations of the age, setting off months of tear-stained commemorations, reminiscences and revivals of his work. To understand this singular event, this interdisciplinary study looks back to Gretry's earliest encounters with the French public during the 1760s and 1770s, seeking the roots of his reputation in the reactions of his listeners. The result is not simply an exploration of the relationship between a musician and his audiences, but of developments in musical thought and discursive culture, and of the formation of public opinion over a period of intense social and political change. The core of Gretry's appeal was his mastery of song. Distinctive, direct and memorable, his melodies were exported out of the opera house into every corner of French life, serving as folkloristic tokens of celebration and solidarity, longing and regret. Gretry's attention to the subjectivity of his audiences had a profound effect on operatic culture, forging a new sense of democratic collaboration between composer and listener.This study provides a reassessment of Gretry's work and musical thought, positioning him as a major figure who linked the culture of feeling and the culture of reason - and who paved the way for Romantic notions of spectatorial absorption and the power of music.
Illustrations: Includes 12 b&w illustrations
Publication: UK
Imprint: Ashgate Publishing Limited
Returns: Returnable
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