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Item Details
Title: POSTCOLONISING THE MEDIEVAL IMAGE
By: Eva Frojmovic (Editor), Catherine E. Karkov (Editor)
Format: Hardback

List price: £140.00
Our price: £126.00
Discount:
10% off
You save: £14.00
ISBN 10: 1472481666
ISBN 13: 9781472481665
Availability: Usually dispatched within 1-3 weeks.
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Publisher: TAYLOR & FRANCIS LTD
Pub. date: 16 March, 2017
Pages: 318
Synopsis: Postcolonial theories have transformed literary, historical and cultural studies over the past three decades. Yet the study of medieval art and visualities has, in general, remained Eurocentric in its canon and conservative in its approaches. 'Postcolonising', as the eleven essays in this volume show, entails active intervention into the field of medieval art history and visual studies through a theoretical reframing of research. This approach poses and elicits new research questions, and tests how concepts current in postcolonial studies - such as diaspora and migration, under-represented artistic cultures, accented art making, displacement, intercultural versus transcultural, hybridity, presence/absence - can help medievalists to reinvigorate the study of art and visuality. Postcolonial concepts are deployed in order to redraft the canon of medieval art, thereby seeking to build bridges between medievalist and modernist communities of scholars.Among the varied topics explored in the volume are the appropriation of Roman iconography by early medieval Scandinavian metalworkers, multilingualism and materiality in Anglo-Saxon culture, the circulation and display of Islamic secular ceramics on Pisan churches, cultural negotiation by Jewish minorities in Central Europe and the Iberian peninsula, Holy Land maps and medieval imaginative geography, and the uses of Thomas Becket in the colonial imaginary of the Plantagenet court.
Illustrations: 72 black & white illustrations, 72 black & white halftones
Publication: UK
Imprint: Ashgate Publishing Limited
Returns: Returnable
Some other items by this author:
ANGLO-SAXON STYLES (HB)
ANGLO-SAXON STYLES (PB)
ARCHAEOLOGY OF ANGLO-SAXON ENGLAND (HB)
ART AND THE FORMATION OF EARLY MEDIEVAL ENGLAND
CROSS AND CRUCIFORM IN THE ANGLO-SAXON WORLD (PB)
CROSS AND CULTURE IN ANGLO-SAXON ENGLAND (PB)
DISTURBING TIMES
EARLY MEDIEVAL STUDIES IN MEMORY OF PATRICK WORMALD (HB)
IMAGINING ANGLO-SAXON ENGLAND
IMAGINING ANGLO-SAXON ENGLAND (HB)
POSTCOLONISING THE MEDIEVAL IMAGE
POSTCOLONISING THE MEDIEVAL IMAGE
POSTCOLONISING THE MEDIEVAL IMAGE
SKIES OF PARCHMENT, SEAS OF INK (HB)
SPACES OF THE LIVING AND THE DEAD (PB)
STUDIES IN INSULAR ART AND ARCHAEOLOGY (PB)
TEXT AND PICTURE IN ANGLO-SAXON ENGLAND (HB)
TEXT AND PICTURE IN ANGLO-SAXON ENGLAND (PB)
THE ARCHAEOLOGY OF ANGLO-SAXON ENGLAND
THE ARCHAEOLOGY OF ANGLO-SAXON ENGLAND
THE ARCHAEOLOGY OF ANGLO-SAXON ENGLAND
THE ARCHAEOLOGY OF ANGLO-SAXON ENGLAND (PB)
THE ART OF ANGLO-SAXON ENGLAND (HB)
THE ART OF ANGLO-SAXON ENGLAND (PB)
THE INSULAR TRADITION (HB)
THE INSULAR TRADITION (PB)
THE PLACE OF THE CROSS IN ANGLO-SAXON ENGLAND (HB)
THE RULER PORTRAITS OF ANGLO-SAXON ENGLAND (HB)
THEORIZING ANGLO-SAXON STONE SCULPTURE (PB)
WOMEN AND MEMORY IN ANGLO-SAXON (HB)

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