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Item Details
| Title:
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MOBIAN NIGHTS
READING LITERATURE AND DARKNESS |
| By: |
Sandor Goodhart |
| Format: |
Hardback |
| List price:
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£130.00 |
| Our price: |
£126.10 |
| Discount: |
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| You save:
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£3.90 |
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| ISBN 10: |
1501326937 |
| ISBN 13: |
9781501326936 |
| Availability: |
Usually dispatched within 1-3 weeks.
 Delivery
rates
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| Stock: |
Currently 0 available |
| Publisher: |
BLOOMSBURY PUBLISHING PLC |
| Pub. date: |
24 August, 2017 |
| Series: |
Violence, Desire, and the Sacred |
| Pages: |
320 |
| Description: |
"Meobian Nights: Literary Reading in a Time of Crisis develops a new understanding of literary reading: that in the wake of disasters like the Holocaust, death remains a premise of our experience rather than a future. Challenging customary "aesthetic" assumptions that we write in order not to die, Sandor Goodhart suggests (with Kafka) we write to die. Drawing upon analyses developed by Girard, Foucault, Blanchot, and Levinas (along with examples from Homer to Beckett), Meobian Nights proposes that all literature works "autobiographically," which is to say, in the wake of disaster; with the credo "I died; therefore, I am"; and for which the language of topology (for example, the "Meobius strip") offers a vocabulary for naming the "deep structure" of such literary, critical, and scriptural sacrificial and anti-sacrificial dynamics."-- |
| Synopsis: |
"I died at Auschwitz," French writer Charlotte Delbo asserts, "and nobody knows it." Mobian Nights: Reading Literature and Darkness develops a new understanding of literary reading: that in the wake of disasters like the Holocaust, death remains a premise of our experience rather than a future. Challenging customary "aesthetic" assumptions that we write in order not to die, Sandor Goodhart suggests (with Kafka) we write to die. Drawing upon analyses developed by Girard, Foucault, Blanchot, and Levinas (along with examples from Homer to Beckett), Mobian Nights proposes that all literature works "autobiographically", which is to say, in the wake of disaster; with the credo "I died; therefore, I am"; and for which the language of topology (for example, the "Mobius strip") offers a vocabulary for naming the "deep structure" of such literary, critical, and scriptural sacrificial and anti-sacrificial dynamics. |
| Publication: |
US |
| Imprint: |
Bloomsbury Academic USA |
| Returns: |
Non-returnable |
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