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Item Details
Title: MUSIC LESSONS
NEWCASTLE / BLOODAXE POETRY LECTURES
By: Fiona Sampson
Format: Paperback

List price: £8.95
Our price: £6.53
Discount:
27% off
You save: £2.42
ISBN 10: 1852249099
ISBN 13: 9781852249090
Availability: Usually dispatched within 1-2 days.
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Stock: Currently 5 available
Publisher: BLOODAXE BOOKS LTD
Pub. date: 1 June, 2011
Pages: 64
Description: Three lectures on contemporary poetry by one of Britain's leading poets, Fiona Sampson, editor of Poetry Review. Her lectures discuss the relationship between poetry, music and ideas, taking examples from a diverse range of writers, composers and philosophers.
Synopsis: In this innovative series of public lectures at Newcastle University, leading contemporary poets speak about the craft and practice of poetry to audiences drawn from both the city and the university. The lectures are then published in book form by Bloodaxe, giving readers everywhere the opportunity to learn what the poets themselves think about their own subject. It's almost a cliche that music and poetry are cousins, and that the term lyric names this cousinship. Yet the actual forms music takes within poetry are unclear, even contested. At the same time, our assumptions about these forms condition the ways we hear poetry. So it's useful to us as both readers and writers to discover where the analogies between music and poetry are. Fiona Sampson's Music Lessons outlines some of these, using ideas and examples from Martin Heidegger to J.S. Bach, Emily Dickinson to Leonard Cohen, and George Herbert to Julia Kristeva. Her first lecture, Point Counter-point, uses melody to suggest a link between poetic line, phrase and breath. Here is my space explores how pureA", abstract forms can be created in time in the same way that they are created in space.Finally, How strange the change looks at sensuous apprehension and the pleasure principle.
Illustrations: music
Publication: UK
Imprint: Bloodaxe Books Ltd
Returns: Returnable
Some other items by this author:
A CENTURY OF POETRY REVIEW (PB)
A FINE LINE (PB)
A LA RECHERCHE (PB)
BEYOND THE LYRIC
BEYOND THE LYRIC (PB)
BREAD AND ROSES (PB)
COLESHILL
COLESHILL (PB)
COME DOWN
COMMON PRAYER (PB)
COSMOPOLIS (PB)
CREATIVE WRITING IN HEALTH AND SOCIAL CARE
CREATIVE WRITING IN HEALTH AND SOCIAL CARE (PB)
FOLDING THE REAL (PB)
HOTEL CASINO (PB)
IDENTITY (PB)
IN SEARCH OF MARY SHELLEY: THE GIRL WHO WROTE FRANKENSTEIN (HB)
IN SEARCH OF MARY SHELLEY: THE GIRL WHO WROTE FRANKENSTEIN (PB)
LIMESTONE COUNTRY (HB)
LYRIC COUSINS (HB)
NIGHT FUGUE
ON LISTENING
ON LISTENING (PB)
PENDULUM (PB)
PERCY BYSSHE SHELLEY
PERCY BYSSHE SHELLEY (HB)
PERCY BYSSHE SHELLEY (PB)
PICASSO'S MEN (PB)
POETRY REVIEW (PB)
POETRY REVIEW (PB)
POETRY REVIEW (PB)
POETRY REVIEW (PB)
POETRY REVIEW (PB)
POETRY REVIEW (PB)
POETRY REVIEW (PB)
POETRY REVIEW (PB)
POETRY REVIEW (PB)
POETRY REVIEW (PB)
POETRY REVIEW (PB)
POETRY REVIEW (PB)
POETRY REVIEW (PB)
POETRY REVIEW (PB)
POETRY REVIEW (PB)
POETRY REVIEW (PB)
POETRY REVIEW (PB)
POETRY REVIEW 95/3 (PB)
POETRY WRITING (HB)
ROUGH MUSIC (PB)
SELECTED POEMS (PB)
SETTING THE ECHO (PB)
THE CATCH
THE CATCH (PB)
THE DISTANCE BETWEEN US (PB)
THE HEALING WORD (PB)
THE LOST BOX OF EYES (PB)
THE MUSIC OF IT (PB)
THE SELF ON THE PAGE (PB)
TWO-WAY MIRROR
TWO-WAY MIRROR (HB)
WRITING (HB)
WRITING (PB)

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