A THEORY OF LITERARY PRODUCTION (PB)

ACROSS THE POND

ACROSS THE POND (HB)

ACROSS THE POND (PB)

ACROSS THE POND (PB)

AFTER THEORY (PB)

AFTER THEORY (PB)

AGAINST THE GRAIN (PB)

ASTHETIK (PB)

ATHEISM IN CHRISTIANITY (HB)

ATHEISM IN CHRISTIANITY (PB)

BECKETT AND NOTHING (PB)

BEVAN (PB)

BEVAN (PB)

BLEAK HOUSE (PB)

CHURCHILL (PB)

CONSTELLATIONS (PB)

CONVERSATIONS WITH TERRY EAGLETON (HB)

CRAZY JOHN AND THE BISHOP AND OTHER ESSAYS ON IRISH CULTURE (PB)

CRAZY JOHN AND THE BISHOP, AND OTHER ESSAYS ON IRISH CULTURE (PB)

CRIES OF AN IRISH CAVEMAN (PB)

CRITICAL REVOLUTIONARIES

CRITICAL REVOLUTIONARIES (HB)

CRITICISM AND IDEOLOGY (HB)

CRITICISM AND IDEOLOGY (PB)

CULTURE

CULTURE

CULTURE (HB)

CULTURE (PB)

CULTURE AND THE DEATH OF GOD

CULTURE AND THE DEATH OF GOD (HB)

CULTURE AND THE DEATH OF GOD (PB)

DIE ILLUSIONEN DER POSTMODERNE (PB)

EIGHT TRAGEDIES OF SHAKESPEARE

EIGHT TRAGEDIES OF SHAKESPEARE

EIGHT TRAGEDIES OF SHAKESPEARE

EIGHT TRAGEDIES OF SHAKESPEARE (HB)

EIGHT TRAGEDIES OF SHAKESPEARE (PB)

EINFUHRUNG IN DIE LITERATURTHEORIE (PB)

EMPORIUM (PB)

FIGURES OF DISSENT (HB)

FIGURES OF DISSENT (PB)

GREAT PHILOSOPHERS:MARX

HEATHCLIFF AND THE GREAT HUNGER (HB)

HEATHCLIFF AND THE GREAT HUNGER (PB)

HOPE WITHOUT OPTIMISM

HOPE WITHOUT OPTIMISM

HOPE WITHOUT OPTIMISM (HB)

HOPE WITHOUT OPTIMISM (HB)

HOPE WITHOUT OPTIMISM (PB)

HOW TO READ A POEM

HOW TO READ A POEM (HB)

HOW TO READ A POEM (PB)

HOW TO READ LITERATURE

HOW TO READ LITERATURE (HB)

HOW TO READ LITERATURE (PB)

HUMOUR

HUMOUR (HB)

IDEOLOGIE (PB)

IDEOLOGY

IDEOLOGY

IDEOLOGY

IDEOLOGY

IDEOLOGY (HB)

IDEOLOGY (HB)

IDEOLOGY (PB)

IDEOLOGY (PB)

IDEOLOGY (PB)

IDEOLOGY (PB)

JAMES JOYCE (HB)

JESUS CHRIST (PB)

JOYCE (CD)

LITERARY THEORY

LITERARY THEORY (PB)

LITERARY THEORY (PB)

LITERARY THEORY (PB)

LITERARY THEORY - AN INTRODUCTION 2E REVISED (PB)

LITERARY THEORY: AN INTRODUCTION (PB)

MARX (PB)

MARXISM AND LITERARY CRITICISM

MARXISM AND LITERARY CRITICISM

MARXISM AND LITERARY CRITICISM

MARXISM AND LITERARY CRITICISM

MARXISM AND LITERARY CRITICISM

MARXISM AND LITERARY CRITICISM

MARXISM AND LITERARY CRITICISM

MARXISM AND LITERARY CRITICISM

MARXISM AND LITERARY CRITICISM

MARXISM AND LITERARY CRITICISM (HB)

MARXISM AND LITERARY CRITICISM (PB)

MARXISM AND LITERARY CRITICISM (PB)

MARXISM AND LITERARY CRITICISM (PB)

MARXISM AND LITERARY CRITICISM (PB)

MARXIST LITERARY THEORY (PB)

MATERIALISM

MATERIALISM (HB)

MEANING OF LIFE: A VERY SHORT INTRODUCTION (HB)

MYTHS OF POWER

MYTHS OF POWER (HB)

MYTHS OF POWER (HB)

MYTHS OF POWER (PB)

NATIONALISM, COLONIALISM AND LITERATURE (PB)

ON EVIL (HB)

ON EVIL (PB)

ORWELL (PB)

PLAYS, PROSE WRITINGS AND POEMS (HB)

RADICAL SACRIFICE

RAYMOND WILLIAMS (PB)

REASON, FAITH, AND REVOLUTION (PB)

SAINT OSCAR (PB)

SAINT OSCAR AND OTHER PLAYS (PB)

SAINTS AND SCHOLARS (HB)

SAINTS AND SCHOLARS (PB)

SANJA IVEKOVIC: SWEET VIOLENCE (HB)

SCHOLARS AND REBELS (HB)

SCHOLARS AND REBELS (PB)

SPACE TO THINK (PB)

SWEET VIOLENCE

SWEET VIOLENCE

SWEET VIOLENCE - THE IDEA OF THE TRAGIC (PB)

THE ENGLISH NOVEL

THE ENGLISH NOVEL

THE ENGLISH NOVEL

THE ENGLISH NOVEL (HB)

THE ENGLISH NOVEL (PB)

THE EVENT OF LITERATURE (HB)

THE EVENT OF LITERATURE (PB)

THE FUNCTION OF CRITICISM (PB)

THE FUNCTION OF CRITICISM (PB)

THE GATEKEEPER (PB)

THE IDEA OF CULTURE

THE IDEA OF CULTURE

THE IDEA OF CULTURE (PB)

THE IDEOLOGY OF THE AESTHETIC (PB)

THE ILLUSIONS OF POSTMODERNISM

THE ILLUSIONS OF POSTMODERNISM

THE ILLUSIONS OF POSTMODERNISM (PB)

THE MEANING OF LIFE: A VERY SHORT INTRODUCTION (PB)

THE RAPE OF CLARISSA (PB)

THE SIGNIFICANCE OF THEORY (PB)

THE TASK OF THE CRITIC (HB)

THE TASK OF THE CRITIC (PB)

THE THREE ECOLOGIES

THE THREE ECOLOGIES

THE THREE ECOLOGIES (PB)

THE THREE ECOLOGIES (PB)

THE TRUTH ABOUT THE IRISH (PB)

THREE ECOLOGIES (PB)

TRAGEDY (HB)

TROUBLE WITH STRANGERS

TROUBLE WITH STRANGERS

TROUBLE WITH STRANGERS

TROUBLE WITH STRANGERS

TROUBLE WITH STRANGERS (HB)

TROUBLE WITH STRANGERS (PB)

WALTER BENJAMIN

WALTER BENJAMIN (PB)

WALTER BENJAMIN (PB)

WAS IRELAND A COLONY? (HB)

WAS IRELAND A COLONY? (PB)

WHATEVER HAPPENED TO ENGLISH MODERNISM? (PB)

WHY MARX WAS RIGHT (PB)

WILLIAM SHAKESPEARE (PB)