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Item Details
Title:
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AESTHETICISM
DEEP FORMALISM AND THE EMERGENCE OF MODERNIST AESTHETICS |
By: |
Michalle Gal |
Format: |
Paperback |

List price:
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£40.90 |
Our price: |
£36.81 |
Discount: |
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You save:
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£4.09 |
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ISBN 10: |
3034305273 |
ISBN 13: |
9783034305273 |
Availability: |
This item will be printed on demand and will usually be dispatched within 10 days.
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Stock: |
Currently 0 available |
Publisher: |
PETER LANG AG, INTERNATIONALER VERLAG DER WISSENSCHAFTEN |
Pub. date: |
26 February, 2015 |
Series: |
Natur, Wissenschaft und die Kuenste / Nature, Science and the Arts / Nature, 12 |
Pages: |
164 |
Description: |
This book presents aestheticism of the 19th century as a philosophical theory, and as the source of modernist and formalist aesthetics and art of the 20th century. It analyzes the definition of art formulated by Oscar Wilde, Walter Pater, and James Whistler, and their theory of form and content, art's autonomy and ontology, criticism, and musicality. |
Synopsis: |
This book offers, for the first time in aesthetics, a comprehensive account of aestheticism of the 19th century as a philosophical theory of its own right. Taking philosophical and art-historical viewpoints, this cross-disciplinary book presents aestheticism as the foundational movement of modernist aesthetics of the 20th century. Emerging in the writings of the foremost aestheticists - Oscar Wilde, Walter Pater, James Whistler, and their formalist successors such as Clive Bell, Roger Fry, and Clement Greenberg - aestheticism offers a uniquely synthetic definition of art. It captures the artwork's relations between form and content, art's independent ontology and autonomy, art's internal completeness, criticism, immunity to recruitment, the uniqueness of each medium, and musicality, as well as the logical-theoretical affiliation of art for art's sake to epistemology, ethics and philosophy of language. Those are used by Michalle Gal to formulate a definition of art in terms of a theory of Deep Formalism, setting aestheticism, which aspires to preserve the artistic medium, as a critique of the current linguistic-conceptual aesthetics that developed after the linguistic turn of aesthetics. |
Publication: |
Switzerland |
Imprint: |
Peter Lang AG, Internationaler Verlag der Wissenschaften |
Returns: |
Returnable |
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