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Item Details
Title: THE ETHICS OF LITERARY COMMUNICATION
GENUINENESS, DIRECTNESS, INDIRECTNESS
By: Roger D. Sell (Editor), Adam Borch (Editor), Inna Lindgren (Editor)
Format: Hardback

List price: £80.00


We currently do not stock this item, please contact the publisher directly for further information.

ISBN 10: 9027210365
ISBN 13: 9789027210364
Publisher: JOHN BENJAMINS PUBLISHING CO
Pub. date: 25 September, 2013
Series: Dialogue Studies 19
Pages: 283
Description: Is there a risk, for instance, that a very direct manner of writing could be unacceptably coercive, or that a more indirect manner could be irresponsible, or positively deceitful? This title opens up lines of inquiry into a wide range of literary texts from Britain, Germany, France, Denmark, Poland, Romania, and the United States.
Synopsis: Viewing literature as one among other forms of communication, Roger D. Sell and his colleagues evaluate writer-respondent relationships according to the same ethical criterion as applies for dialogue of any other kind. In a nutshell: Are writers and readers respecting each other's human autonomy? If and when the answer here is "Yes!", Sell's team describe the communication that is going on as 'genuine'. In this latest book, they offer new illustrations of what they mean by this, and ask whether genuineness is compatible with communicational directness and communicational indirectness. Is there a risk, for instance, that a very direct manner of writing could be unacceptably coercive, or that a more indirect manner could be irresponsible, or positively deceitful? The book's overall conclusion is: "Not necessarily!" A directness which is truthful and stimulates free discussion does respect the integrity of the other person.And the same is true of an indirectness which encourages readers themselves to contribute to the construction and assessment of ideas, stories and experiences - sometimes literary indirectness may allow greater scope for genuineness than does the directness of a non-literary letter. By way of illustrating these points, the book opens up new lines of inquiry into a wide range of literary texts from Britain, Germany, France, Denmark, Poland, Romania, and the United States.
Illustrations: + index
Publication: Netherlands
Imprint: John Benjamins Publishing Co
Returns: Non-returnable
Some other items by this author:
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CHILDREN'S LITERATURE AS COMMUNICATION
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COMMUNICATIONAL CRITICISM
COMMUNICATIONAL CRITICISM (HB)
COMMUNITY-MAKING IN EARLY STUART THEATRES
COMMUNITY-MAKING IN EARLY STUART THEATRES
COMMUNITY-MAKING IN EARLY STUART THEATRES
COMMUNITY-MAKING IN EARLY STUART THEATRES (HB)
LITERARY COMMUNICATION AS DIALOGUE (HB)
LITERARY COMMUNITY-MAKING
LITERARY COMMUNITY-MAKING (HB)
LITERARY PRAGMATICS
LITERARY PRAGMATICS
LITERARY PRAGMATICS
LITERATURE AND THE NEW INTERDISCIPLINARITY (HB)
LITERATURE AND THE NEW INTERDISCIPLINARITY (PB)
LITERATURE AS COMMUNICATION
LITERATURE AS COMMUNICATION (HB)
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LITERATURE AS DIALOGUE
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MAJOR VERSUS MINOR? - LANGUAGES AND LITERATURES IN A GLOBALIZED WORLD
MAJOR VERSUS MINOR? - LANGUAGES AND LITERATURES IN A GLOBALIZED WORLD (HB)
MEDIATING CRITICISM
MEDIATING CRITICISM (HB)
MEDIATING CRITICISM (PB)
STORIES FOR LESLEY (HB)
THE ETHICS OF LITERARY COMMUNICATION
WRITING AND RELIGION IN ENGLAND, 1558-1689
WRITING AND RELIGION IN ENGLAND, 1558-1689
WRITING AND RELIGION IN ENGLAND, 1558-1689
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