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Item Details
Title: CODIFYING THE NATIONAL SELF
SPECTATORS, ACTORS AND THE AMERICAN DRAMATIC TEXT
By: Barbara Ozieblo (Editor), Maria Dolores Narbona-Carrion (Editor)
Format: Paperback

List price: £49.95
Our price: £44.96
Discount:
10% off
You save: £4.99
ISBN 10: 9052010285
ISBN 13: 9789052010281
Availability: Usually dispatched within 3-5 days.
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Stock: Currently 1item in stock
Publisher: PRESSES INTERUNIVERSITAIRES EUROPEENNES
Pub. date: 1 May, 2006
Series: Dramaturgies Textes, Cultures et Representations Texts, Cultures and 17
Pages: 299
Synopsis: Theater has always been the site of visionary hopes for a reformed national future and a space for propagating ideas, both cultural and political, and such a conceptualization of the histrionic art is all the more valuable in the post-9/11 era. The essays in this volume address the concept of « Americanness and the perceptions of the « alien--as ethnic, class or gendered minorities--as dealt with in the work of American playwrights from Anna Cora Mowatt, through Rachel Crothers or Susan Glaspell, and on to Sam Shepard, David Mamet, Nilo Cruz or Wallace Shawn. The authors of the essays come from a multi-national university background that includes the United States, the United Arab Emirates and various countries of the European Community. In recognition of the multiple components of drama, the essays for the volume were selected in order to exemplify different aspects and theories of theater studies: the playwright, the play, the audience and the actor are all examined as part of the theatrical experience that serves to formulate American national identity.
Publication: Belgium
Imprint: Presses Interuniversitaires Europeennes
Returns: Returnable
Some other items by this author:
CODIFYING THE NATIONAL SELF
CRUCIBLE OF CULTURES (PB)
DISCLOSING INTERTEXTUALITIES (HB)
DISCLOSING INTERTEXTUALITIES (PB)
ENACTING NATURE
ENACTING NATURE
ENACTING NATURE
ENACTING NATURE (PB)
EUGENE O'NEILL AND THE EMERGENCE OF AMERICAN DRAMA (PB)
FEMALE ABSENCE (PB)
JAMES JOYCE: THE STUDY OF LANGUAGES (PB)
LABYRINTH OF HYBRIDITIES
LABYRINTH OF HYBRIDITIES (PB)
MNEMOPOETICS (PB)
MUSE DES JARDINS (HB)
NEW ESSAYS IN AMERICAN DRAMA (PB)
NEW TERRITORIES
NEW TERRITORIES
NEW TERRITORIES (PB)
OLD MARGINS AND NEW CENTERS / ANCIENNES MARGES ET NOUVEAUX CENTRES (PB)
OLD MARGINS AND NEW CENTERS ANCIENNES MARGES ET NOUVEAUX CENTRES
PERFORMING AOTEAROA (PB)
PERFORMING GENDER VIOLENCE
PERFORMING GENDER VIOLENCE (HB)
PERFORMING GENDER VIOLENCE (PB)
READING WITHOUT MAPS? (PB)
RECONFIGURATIONS (PB)
SIGNATURES OF THE PAST (PB)
SITING THE OTHER (PB)
SONGS OF AMERICAN EXPERIENCE (HB)
SOUND AS SENSE (PB)
STAGING A CULTURAL PARADIGM (PB)
STAGING A CULTURAL PARADIGM (PB)
STAGING DIFFERENCE
SUSAN GLASPELL (PB)
SUSAN GLASPELL AND SOPHIE TREADWELL
SUSAN GLASPELL AND SOPHIE TREADWELL
SUSAN GLASPELL AND SOPHIE TREADWELL
SUSAN GLASPELL AND SOPHIE TREADWELL
SUSAN GLASPELL AND SOPHIE TREADWELL
SUSAN GLASPELL AND SOPHIE TREADWELL
SUSAN GLASPELL AND SOPHIE TREADWELL (HB)
SUSAN GLASPELL AND SOPHIE TREADWELL (PB)
THE MYTH OF WAR IN BRITISH AND POLISH POETRY (PB)
THE WOOSTER GROUP AND ITS TRADITIONS (PB)
THEATRES IN THE ROUND
THEATRES IN THE ROUND (PB)
TRANSGRESSIVE ITINERARIES (PB)
VITAL CONTRADICTIONS (PB)

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