| Title:
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ART IN RENAISSANCE ITALY 1350-1500
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| By: |
Evelyn Welch |
| Format: |
Paperback |
| List price:
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£23.49 |
| Our price: |
£17.15 |
| Discount: |
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£6.34 |
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| ISBN 10: |
019284279X |
| ISBN 13: |
9780192842794 |
| Availability: |
Usually dispatched within 1-2 days.
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| Stock: |
Currently 3 available |
| Publisher: |
OXFORD UNIVERSITY PRESS |
| Pub. date: |
31 December, 1997 |
| Series: |
Oxford History of Art |
| Pages: |
304 |
| Description: |
The Italian Renaissance is a pivotal episode in the history of Western culture. Artists such as Masaccio, Donatello, and Fra Angelico created some of the most influential and exciting works in a variety of artistic fields at this time. Evelyn Welch presents a fresh picture of this period in the light of new scholarship and by recreating the experience of contemporary Italians - the patrons, the viewing public and the artists. The book discusses a wide range of worksfrom across Italy, examines the issues of materials, workshop practices and artist-patron relationships, and explores the ways in which visual imagery related to contemporary sexual, social and political behaviour. |
| Synopsis: |
Between the 'Black Death' in the mid-fourteenth century and the French invasions at the end of the fifteenth, artists such as Masaccio, Donatello, Fra Angelico, and Leonardo, working in the kingdoms, princedoms, and republics of the Italian peninsula, created some of the most influential and exciting works in a variety of artistic fields. Yet the traditional story of the Renaissance has been dramatically revised in the light of new scholarship, and new issues have greatly enriched our understanding of the period. Emphasis has been placed on recreating the experience of contemporary Italians - the patrons who commissioned the works, the members of the public who viewed them, and the artists who produced them. In this book Evelyn Welch presents a fresh picture of the Italian Renaissance. Giving equal weight to the Italian regions outside Florence, she discusses a wide range of works, from paintings to coins, and from sculptures to tapestries, examines the issues of materials, workshop practises, and artist-patron relationships, and explores the ways in which visual imagery related to contemporary sexual, social and political behaviour. |
| Illustrations: |
colour and black and white halftones throughout |
| Publication: |
UK |
| Imprint: |
Oxford University Press |
| Returns: |
Returnable |
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