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Item Details
| Title:
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SEEING THROUGH MUSIC
GENDER AND MODERNISM IN CLASSIC HOLLYWOOD FILM SCORES |
| By: |
Peter Franklin |
| Format: |
Hardback |
| List price:
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£42.49 |
| Our price: |
£37.18 |
| Discount: |
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| You save:
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£5.31 |
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| ISBN 10: |
0195383451 |
| ISBN 13: |
9780195383454 |
| Availability: |
Usually dispatched within 1-3 weeks.
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| Stock: |
Currently 0 available |
| Publisher: |
OXFORD UNIVERSITY PRESS INC |
| Pub. date: |
1 August, 2011 |
| Series: |
Oxford Music/Media Series |
| Pages: |
208 |
| Description: |
Seeing Through Music levels the critical playing-field between film-music and so-called 'serious music', reflecting upon gender-related ideas about music and modernism as much as about film. It proposes a history of twentieth-century music that would include the scores of a number of the major Hollywood movies discussed here. |
| Synopsis: |
Hollywood film music is often mocked as a disreputably 'applied' branch of the art of composition that lacks both the seriousness and the quality of the classical or late-romantic concert and operatic music from which it derives. Its composers in the 1930s and '40s were themselves often scornful of it and aspired to produce more 'serious' works that would enhance their artistic reputation. In fact the criticism of film music as slavishly descriptive or manipulatively over-emotional has a history that is older than film - it had even been directed at the relatively popular operatic and concert music written by some of the emigre Hollywood composers themselves before they had left Europe. There, as subsequently in America, such criticism was promoted by the developing project of Modernism, whose often high-minded opposition to mass culture used polarizing language that drew, intentionally or not, upon that of gender difference. Regressive, late-romantic music, the old argument ran, was - as |
| Illustrations: |
28 screen stills |
| Publication: |
US |
| Imprint: |
Oxford University Press Inc |
| Returns: |
Non-returnable |
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