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Item Details
Title: MUSICAL COMPOSITION IN THE TWENTIETH CENTURY
By: Arnold Whittall
Format: Paperback

List price: £65.00
Our price: £65.00
ISBN 10: 0198166834
ISBN 13: 9780198166832
Availability: Usually dispatched within 3-5 days.
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Stock: Currently 1item in stock
Publisher: OXFORD UNIVERSITY PRESS
Pub. date: 2 March, 2000
Pages: 428
Description: Musical Composition in the Twentieth Century builds on the foundations of Music since the First World War (first published 1977, revised edition 1988). It updates and reshapes the original text and places it in the wider context of twentieth-century serious music before 1918 and after 1975, surveying the immense variety of technical developments in twentieth-century serious music. Sections of detailed analysis, with particular emphasis on suchmajor figures as Stravinsky, Bartok, Messiaen, Tippett, and Ligeti, are framed by more concise sketches of a range of significant composers from Faure, to Wolfgang Rihm. Extensive music examples reinforce this technical focus.
Synopsis: Musical Composition in the Twentieth Century builds on the foundations of Music since the First World War (first published 1977, revised edition 1988). It updates and reshapes the original text and places it in the wider context of twentieth-century serious music before 1918 and after 1975. The focus is on matters of compositional technique, with sections of detailed analytical comment framed by more concise sketches of a range of twentieth-century composers from Faure to Wolfgang Rihm. Extensive music examples reinforce this technical focus. Though in no sense a history of music concerned primarily with the institutional and critical climate within which composers live and work, nor an encyclopedia dealing with every significant composer, Musical Composition in the Twentieth Century offers a critical engagement with that confrontation between tradition and innovation to which twentieth-century composers have responded with resourcefulness and vitality.
Illustrations: music examples
Publication: UK
Imprint: Oxford University Press
Returns: Returnable
Some other items by this author:
BRITISH MUSIC AFTER BRITTEN (HB)
BRITTEN'S MUSICAL LANGUAGE (PB)
EDWARD ELGAR, MODERNIST (HB)
EXPERIMENTAL MUSIC (PB)
EXPLORING TWENTIETH-CENTURY MUSIC (HB)
EXPLORING TWENTIETH-CENTURY MUSIC (PB)
FAURE AND FRENCH MUSICAL AESTHETICS (PB)
FOUR MUSICAL MINIMALISTS (PB)
JONATHAN HARVEY (PB)
MUSIC ANALYSIS IN THEORY AND PRACTICE (PB)
MUSIC AND IDEOLOGY IN COLD WAR EUROPE (PB)
MUSIC OF BRITTEN AND TIPPETT (HB)
MUSIC SINCE THE FIRST WORLD WAR (PB)
MUSICAL COMPOSITION IN THE TWENTIETH CENTURY (HB)
ROMANTIC MUSIC (PB)
SCHOENBERG: ''NIGHT MUSIC'' - VERKLARTE NACHT AND ERWARTUNG
SCHOENBERG: ''NIGHT MUSIC'' - VERKLARTE NACHT AND ERWARTUNG (HB)
SERIAL MUSIC, SERIAL AESTHETICS (PB)
SERIALISM (HB)
SERIALISM (PB)
THE MUSIC AND THOUGHT OF MICHAEL TIPPETT (PB)
THE MUSIC OF BRITTEN AND TIPPETT (PB)
THE MUSIC OF CONLON NANCARROW (PB)
THE MUSIC OF HARRISON BIRTWISTLE (PB)
THE MUSIC OF JOHN CAGE (PB)
THE MUSIC OF LOUIS ANDRIESSEN (HB)
THE MUSIC OF RUTH CRAWFORD SEEGER (PB)
THE MUSIC OF TORU TAKEMITSU (PB)
THE STRAVINSKY LEGACY (PB)
THE TWELVE-NOTE MUSIC OF ANTON WEBERN (PB)
THE WAGNER STYLE (HB)
THE WAGNER STYLE (PB)

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