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Item Details
Title: THE FINALE IN WESTERN INSTRUMENTAL MUSIC
By: Michael Talbot
Format: Hardback

List price: £212.50
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ISBN 10: 0198166958
ISBN 13: 9780198166955
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Publisher: OXFORD UNIVERSITY PRESS
Pub. date: 24 May, 2001
Series: Oxford Monographs on Music
Pages: 264
Description: Why are finales different from other movements? Why can we nearly always tell whether a movement comes first or last in a work with several movements? Is the special character of finales necessary as well as traditional? Michael Talbot explores these questions in depth. His wide-ranging analytical and historical survey covers instrumental (and some vocal) music from the Renaissance up to the present day.
Synopsis: The knowledge that finales are by tradition (and perhaps also necessarily) 'different' from other movements has been around a long time, but this is the first time that the special nature of finales in instrumental music has been examined comprehensively and in detail. Three main types of finale, labelled 'relaxant', 'summative', and 'valedictory', are identified. Each type is studied closely, with a wealth of illustration and analytical commentary covering the entire period from the Renaissance to the present day. The history of finales in five important genres - suite, sonata, string quartet, symphony, and concerto - is traced, and the parallels and divergences between these traditions are identified. Several wider issues are mentioned, including narrativity, musical rounding, inter-movement relationships, and the nature of codas. The book ends with a look at the finales of all Shostakovich's string quartets, in which examples of most of the types may be found.
Publication: UK
Imprint: Oxford University Press
Returns: Returnable
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