| Description: |
Oxford Shakespeare Topics (General Editors Peter Holland and Stanley Wells) provide students, teachers, and interested readers with short books on important aspects of Shakespeare criticism and scholarship, including some general anthologies relating to Shakespeare. Shakespeare in the Theatre offers a rich, varied, and wonderfully evocative collection of reviews of Shakespeare in performance from early times to the present. Including the work of many major writers (from Hazlitt and Keats to Shaw, Beerbohm, and Virginia Woolf), and ranging right across the Shakespearian canon, it represents a survey of landmark productions and performances from Garrick to Peter Brook, Betterton to McKellen, Siddons to Dench. The reviews are helpfully introduced andannotated by the editor, Stanley Wells. |
| Synopsis: |
Oxford Shakespeare Topics provides students, teachers, and interested readers with short books on important aspects of Shakespeare criticism and scholarship. Each book is written by an authority in its field, and combines accessible style with original discussion of its subject. Notes and a critical guide to further reading equip the interested reader with the means to broaden research. Shakespeare in the Theatre offers a rich, varied, and wonderfully evocative collection of eye-witness accounts of Shakespearian performances over the centuries. Theatre generates an excitement that stimulates fine prose: here are Hazlitt's famous accounts of Edmund Kean as Richard III and Hamlet, Bernard Shaw on Forbes-Robertson's Hamlet and his hilarious descriptions of Augustin Daly's productions, Max Beerbohm on Gordon Craig, and Kenneth Tynan on Olivier and Wolfit. Here too are lesser-known pieces by great writers: the German novelist Theodor Fontane on Charles Kean, Evelyn Waugh on Olivier, Virginia Woolf on Twelfth Night at the Old Vic.Taken together these pieces represent an appreciation of the work of the finest Shakespearian interpreters, and a survey of changing styles of Shakespearian production - ranging right across the canon - from the seventeenth century to the present, in England, America, and further afield. The post-war period is amply represented, right up to the present day, with vivid accounts of landmark productions by directors such as Peter Brook, Peter Hall, John Barton, Deborah Warner, Trevor Nunn, and Declan Donnellan. Stanley Wells introduces the volume with an essay on 'Shakespeare and the Theatre Critics', and supplies each review with a helpful headnote and explanatory references. |