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Item Details
| Title:
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WRITING THE STAGE COACH NATION
LOCALITY ON THE MOVE IN NINETEENTH-CENTURY BRITISH LITERATURE |
| By: |
Ruth Livesey |
| Format: |
Hardback |
| List price:
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£83.00 |
| Our price: |
£80.51 |
| Discount: |
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| You save:
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£2.49 |
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| ISBN 10: |
0198769431 |
| ISBN 13: |
9780198769439 |
| Availability: |
Usually dispatched within 1-3 weeks.
 Delivery
rates
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| Stock: |
Currently 0 available |
| Publisher: |
OXFORD UNIVERSITY PRESS |
| Pub. date: |
29 September, 2016 |
| Pages: |
256 |
| Description: |
Many Victorian novels take place not in the steam-powered railway present of that era, but in the recent past: a world moving by stage and mail coach. Ruth Livesey explores the historical consciousness of such works by Dickens, Bronte, Eliot, and Hardy, and explains how they convey an idea of a national belonging through a sense of local place. |
| Synopsis: |
Why is it that so many of the best-loved novels of the Victorian era take place not in the steam-powered railway present in which they were published, but in the very recent past? Most works by Dickens, Bronte, Eliot, and Hardy set action neither in the present nor in a definitively historical epoch but rather in a 'just' past of collective memory, a vanishing but still tangible world moving by stage and mail coach. It is easy to overlook the fact that Jane Eyre, Bleak House, and Middlemarch, for example, are in this sense historical novels, recreating places and times that are just slipping from the horizon of here and now. Ruth Livesey brings to the surface the historical consciousness of such novels of the 'just' past and explores how they convey an idea of a national belonging that can be experienced through a sense of local place. The journey by public coach had long been an analogy for the form of the novel as it took shape in the eighteenth century; smooth engineered roads |
| Illustrations: |
16 black and white halftones |
| Publication: |
UK |
| Imprint: |
Oxford University Press |
| Returns: |
Returnable |
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