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Title: CURIOSITY AND THE AESTHETICS OF TRAVEL-WRITING, 1770-1840
'FROM AN ANTIQUE LAND'
By: Nigel Leask
Format: Paperback

List price: £46.99
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ISBN 10: 0199269300
ISBN 13: 9780199269303
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Publisher: OXFORD UNIVERSITY PRESS
Pub. date: 5 February, 2004
Pages: 352
Description: The first book of its kind to study the Romantic obsession with the 'antique lands' of Ethiopia, Egypt, India, and Mexico, Curiosity and the Aesthetics of Travel Writing is an important contribution to the recent wave of interest in exotic travel writing. Drawing generously on both original texts and modern scholarship in literature, history, geography, and anthropology, it focuses on the unstable discourse of 'curiosity' to offer an important reformulationof the relations between literature, aesthetics, and colonialism in the period.
Synopsis: The decades between 1770 and 1840 are rich in exotic accounts of the ruin-strewn landscapes of Ethiopia, Egypt, India, and Mexico. Yet it is a field which has been neglected by scholars and which - unjustifiably - remains outside the literary canon. In this pioneering book, Nigel Leask studies the Romantic obsession with these 'antique lands', drawing generously on a wide range of eighteenth and nineteenth-century travel books, as well as on recent scholarship in literature, history, geography, and anthropology. Viewing the texts primarily as literary works rather than 'transparent' adventure stories or documentary sources, he sets out to challenge the tendency in modern academic work to overemphasize the authoritative character of colonial discourse. Instead, he addresses the relationship between narrative, aesthetics, and colonialism through the unstable discourse of antiquarianism, exploring the effects of problems of credit worthiness, and the nebulous epistemological claims of 'curiosity' (a leitmotif of the accounts studied here), on the contemporary status of travel writing.Attentive to the often divergent idioms of elite and popular exoticism, Curiosity and the Aesthetics of Travel Writing plots the transformation of the travelogue through the period, as the baroque particularism of curiosity was challenged by picturesque aesthetics, systematic 'geographical narrative', and the emergence of a 'transcendental self' axiomatic to Romantic culture. In so doing it offers an important reformulation of the relations between literature, aesthetics, and empire in the late Enlightenment and Romantic periods.
Illustrations: numerous halftones
Publication: UK
Imprint: Oxford University Press
Returns: Returnable
Some other items by this author:
BRITISH ROMANTIC WRITERS AND THE EAST (HB)
BRITISH ROMANTIC WRITERS AND THE EAST (PB)
CURIOSITY AND THE AESTHETICS OF TRAVEL-WRITING, 1770-1840 (HB)
ENLIGHTENMENT TRAVEL AND BRITISH IDENTITIES
ENLIGHTENMENT TRAVEL AND BRITISH IDENTITIES
ENLIGHTENMENT TRAVEL AND BRITISH IDENTITIES (HB)
GLOBAL PERSPECTIVES ON HUMAN CAPITAL IN EARLY CHILDHOOD EDUCATION (HB)
LAND, NATION AND CULTURE, 1740-1840
LAND, NATION AND CULTURE, 1740-1840 (HB)
LAND, NATION AND CULTURE, 1740-1840 (PB)
OLD WAYS AND NEW ROADS
ROBERT BURNS AND PASTORAL (HB)
ROBERT BURNS AND PASTORAL (PB)
ROMANTIC EMPIRICISM (HB)
ROMANTICISM AND POPULAR CULTURE IN BRITAIN AND IRELAND (HB)
ROMANTICISM AND POPULAR CULTURE IN BRITAIN AND IRELAND (PB)
STEPPING WESTWARD (HB)
STEPPING WESTWARD (PB)
THE OXFORD EDITION OF THE WORKS OF ROBERT BURNS: VOLUME I: COMMONPLACE BOOKS, TOUR JOURNALS, AND MISCELLANEOUS PROSE (HB)

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