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Item Details
| Title:
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A KINGDOM NOT OF THIS WORLD
WAGNER, THE ARTS, AND UTOPIAN VISIONS IN FIN-DE-SIECLE VIENNA |
| By: |
Kevin C. Karnes |
| Format: |
Hardback |
| List price:
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£97.00 |
| Our price: |
£84.88 |
| Discount: |
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| You save:
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£12.12 |
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| ISBN 10: |
0199957924 |
| ISBN 13: |
9780199957927 |
| Availability: |
Usually dispatched within 1-3 weeks.
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| Stock: |
Currently 0 available |
| Publisher: |
OXFORD UNIVERSITY PRESS INC |
| Pub. date: |
23 August, 2013 |
| Pages: |
272 |
| Description: |
A Kingdom Not of This World uncovers a forgotten utopian discourse - largely inspired by and critically responding to the works of Richard Wagner - that had significant influence upon the visual arts and music of fin-de-siecle Vienna. Author Kevin Karnes considers music, visual artworks, and philosophical writings to reveal a powerful current of millennial optimism running counter and parallel to the cultural pessimism widely associated with theperiod. |
| Synopsis: |
Typically regarded as reflecting on a culture in social, political, or psychological crisis, the arts in fin-de-siecle Vienna had another side: they were means by which creative individuals imagined better futures and perfected worlds dawning with the turn of the twentieth century. As author Kevin C. Karnes reveals, much of this utopian discourse drew inspiration from the work of Richard Wagner, whose writings and music stood for both a deluded past and an ideal future yet to come. Illuminating this neglected dimension of Vienna's creative culture, this book ranges widely across music, philosophy, and the visual arts. Uncovering artworks long forgotten and providing new perspectives on some of the most celebrated achievements in the Western canon, Karnes considers music by Mahler, Schoenberg, and Alexander Zemlinsky, paintings, sculptures, and graphic art by Klimt, Max Klinger, and members of the Vienna Secession, and philosophical writings by Nietzsche, Schopenhauer, and Maurice Maeterlinck.Through analyses of artworks and the cultural dynamics that surrounded their creation and reception, this study reveals a powerful current of millennial optimism running counter and parallel to the cultural pessimism widely associated with the period. It discloses a utopian discourse that is at once beautiful, moving, and deeply disturbing, as visions of perfection gave rise to ecstatic artworks and dystopian social and political realities. |
| Illustrations: |
32 halftones and 48 music examples |
| Publication: |
US |
| Imprint: |
Oxford University Press Inc |
| Returns: |
Returnable |
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