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Item Details
Title: COLOR HARMONIES
By: Augusto Garau, Rudolf Arnheim (Foreword), Nicola Bruno (Trans)
Format: Hardback

List price: £80.00
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ISBN 10: 0226281957
ISBN 13: 9780226281957
Availability: Usually dispatched within 1-3 weeks.
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Publisher: THE UNIVERSITY OF CHICAGO PRESS
Pub. date: 1 February, 1993
Pages: 100
Translated from: Italian
Description: In Color Harmonies, Augusto Garau systematically investigates the role of both color and form in visual perception and presents an original theory of the aesthetic relations among colors. The author pays particular attention to the way colors behave when organized in patterns.
Synopsis: Because theories of visual perception have traditionally concentrated on form, artists have generally dealt with the problem of color through their own observation and intuition. In Color Harmonies, Augusto Garau systematically investigates the role of both color and form in visual perception and presents an original theory of the aesthetic relations among colors. Garau, a painter who teaches the psychology of form, pays particular attention to the way colors behave when organized in patterns. His theory of color combination addresses two principal compositional elements: the relations between figure and ground and the phenomenon of transparency. Garau meticulously analyzes the use of color in paintings by masters such as Cezanne, Picasso, and Matisse to show how his theory applies to actual works of art. Containing many full-color examples, his introduction to the workings of color relations is of great practical use to art historians and critics, artists, interior decorators, fashion and set designers, and anyone who works with color to display information or convey emotions."In an area of the psychology of art where reliable guidance is still so hard to come by, [Garau's] well-supported contributions to the theory of color composition ought to be welcomed by practitioners and scholars alike."--from the Foreword by Rudolf Arnheim
Illustrations: 40 colour plates, 10 halftones
Publication: US
Imprint: University of Chicago Press
Returns: Returnable
Some other items by this author:
ART AND VISUAL PERCEPTION (PB)
ARTE E PERCEZIONE VISIVA (PB)
COLOR HARMONIES (PB)
CONCEPTUAL HISTORY OF PSYCHOPHYSICS (HB)
ENTROPY AND ART (PB)
FILM AS ART (PB)
FILM ESSAYS AND CRITICISM (HB)
FILM ESSAYS AND CRITICISM (PB)
INTEGRATIVE APPROACHES TO PERCEPTION AND ACTION (PB)
KUNST UND SEHEN
KUNST UND SEHEN
KUNST UND SEHEN (HB)
KUNST UND SEHEN (HB)
NEW ESSAYS ON THE PSYCHOLOGY OF ART
NEW ESSAYS ON THE PSYCHOLOGY OF ART (PB)
PARABLES OF SUN LIGHT (PB)
PERCEPTION (PB)
RUDOLF ARNEHIM
RUDOLF ARNHEIM (HB)
SIMON DINNERSTEIN (PB)
SURVIVAL IS SUCCESS (PB)
THE DYNAMICS OF ARCHITECTURAL FORM (PB)
THE GENESIS OF A PAINTING (PB)
THE POWER OF THE CENTER
THE POWER OF THE CENTER (PB)
THE PSYCHOLOGY OF GRAPHIC IMAGES
THE PSYCHOLOGY OF GRAPHIC IMAGES
THE PSYCHOLOGY OF GRAPHIC IMAGES
THE PSYCHOLOGY OF GRAPHIC IMAGES
THE PSYCHOLOGY OF GRAPHIC IMAGES
THE PSYCHOLOGY OF GRAPHIC IMAGES (HB)
THE PSYCHOLOGY OF GRAPHIC IMAGES (PB)
THE SPLIT AND THE STRUCTURE
THE SPLIT AND THE STRUCTURE (PB)
THOUGHTS ON ART EDUCATION (PB)
TO THE RESCUE OF ART (PB)
TOWARD A PSYCHOLOGY OF ART (PB)
VISUAL THINKING (PB)
WHEN WE WERE YOUNG (PB)

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