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Item Details
Title: WITTGENSTEIN'S LADDER
POETIC LANGUAGE AND THE STRANGENESS OF THE ORDINARY
By: Marjorie Perloff
Format: Paperback

List price: £27.00
Our price: £24.30
Discount:
10% off
You save: £2.70
ISBN 10: 0226660605
ISBN 13: 9780226660608
Availability: Usually dispatched within 3-5 days.
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Stock: Currently 2 available
Publisher: THE UNIVERSITY OF CHICAGO PRESS
Pub. date: 15 March, 1999
Pages: 306
Description: Marjorie Perloff, critic of 20th-century poetry, argues that Wittgenstein speaks to poets because he provides a way out of the impasse of high versus low discourse, demonstrating the inescapable strangeness of ordinary language.
Synopsis: Marjorie Perloff, among our foremost critics of twentieth-century poetry, argues that Ludwig Wittgenstein provided writers with a radical new aesthetic, a key to recognizing the inescapable strangeness of ordinary language. Taking seriously Wittgenstein's remark that "philosophy ought really to be written only as a form of poetry", Perloff begins by discussing Wittgenstein the "poet". What we learn is that the poetics of everyday life is anything but banal."This book has the lucidity and the intelligence we have come to expect from Marjorie Perloff.--Linda Munk, "American Literature" "[Perloff] has brilliantly adapted Wittgenstein's conception of meaning and use to an analysis of contemporary language poetry".--Linda Voris, "Boston Review" " "Wittgenstein's Ladder" offers significant insights into the current state of poetry, literature, and literary study. Perloff emphasizes the vitality of reading and thinking about poetry, and the absolute necessity of pushing against the boundaries that define and limit our worlds".--David Clippinger, "Chicago Review" "Majorie Perloff has done more to illuminate our understanding of twentieth century poetic language than perhaps any other critic. . . . Entertaining, witty, and above all highly original".--Willard Bohn, "SubStance"
Illustrations: 16 halftones
Publication: US
Imprint: University of Chicago Press
Returns: Returnable
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CONSTRAINING CHANCE (HB)
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DANIIL KHARMS (HB)
DANIIL KHARMS (PB)
DIFFERENTIALS (HB)
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DOPPLER EFFECT
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EDGE OF IRONY (HB)
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EUGENE JOLAS (HB)
EUGENE JOLAS (PB)
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LOS ANGELES REVIEW OF BOOKS QUARTERLY JOURNAL FALL 2013 (PB)
OYVIND FAHLSTROM (HB)
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POETICS IN A NEW KEY (PB)
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POETRY AS RE-READING (PB)
POETRY ON AND OFF THE PAGE (HB)
POETRY ON AND OFF THE PAGE (PB)
POSTMODERN GENRES (PB)
RADICAL ARTIFICE (HB)
RADICAL ARTIFICE (PB)
RHYME AND MEANING IN THE POETRY OF YEATS (HB)
SINGULAR EXAMPLES (HB)
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SONGS OF DEGREES (PB)
STYLE AND TIME (HB)
STYLE AND TIME (PB)
SUBJECT TO DELUSIONS (HB)
SUBJECT TO DELUSIONS (PB)
TALKING (PB)
THE DANCE OF THE INTELLECT (PB)
THE FUTURIST MOMENT (PB)
THE FUTURIST MOVEMENT (HB)
THE POETICS OF INDETERMINACY (PB)
THE SOUND OF POETRY / THE POETRY OF SOUND (HB)
THE SOUND OF POETRY / THE POETRY OF SOUND (PB)
THE VIENNA PARADOX (PB)
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UNORIGINAL GENIUS (HB)
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