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Item Details
| Title:
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SCREENWRITING POETICS AND THE SCREEN IDEA
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| By: |
Ian W. Macdonald |
| Format: |
Electronic book text |
| List price:
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£55.00 |
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We believe that this item is permanently unavailable, and so we cannot source
it.
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| ISBN 10: |
0230392296 |
| ISBN 13: |
9780230392298 |
| Publisher: |
PALGRAVE MACMILLAN |
| Pub. date: |
30 October, 2013 |
| Series: |
Palgrave Studies in Screenwriting |
| Description: |
A new, original investigation into how screenwriting works; the practices, creative 'poetics' and texts that serve the screen idea. Using a range of film, media and creative theories, it includes new case studies on the successful ITV soap Emmerdale, Hitchcock's first major screenwriter and David Lean's unfinished film, Nostromo. |
| Synopsis: |
Screenwriting Poetics and the Screen Idea is a new and original investigation into how screenwriting works, showing how to understand, study and research screenwriting and screen narrative production. It explores three facets - the practices, the creative 'poetics' and the texts - to re-conceptualise and join together our understanding of screenwriting and development. These facets serve the 'screen idea', that sense of something that might become a film or television show, and the focus for the beliefs and received wisdom behind the poetics. Macdonald applies a range of film, media and creative theories to the study and research of screenwriting, and includes three new, original case studies: story development in the successful ITV soap Emmerdale, the silent film work of Hitchcock's first major screenwriter Eliot Stannard, and David Lean's last, unfinished 'magnum opus', Nostromo. |
| Illustrations: |
25 figures |
| Publication: |
UK |
| Imprint: |
Palgrave Macmillan |
| Returns: |
Non-returnable |
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