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Item Details
Title: THE SEMBLANCE OF SUBJECTIVITY
ESSAYS IN ADORNO'S AESTHETIC THEORY
By: Tom Huhn (Editor), Lambert Zuidervaart (Editor)
Format: Paperback

List price: £30.00
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ISBN 10: 0262581760
ISBN 13: 9780262581769
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Publisher: MIT PRESS LTD
Pub. date: 22 January, 1999
Series: Studies in Contemporary German Social Thought
Pages: 368
Description: The essays are organized around the twin themes of semblance and subjectivity. Whereas the concept of semblance, or illusion, points to Adorno's links with Marx, Nietzsche, and Freud, the concept of subjectivity recalls his lifelong struggle with a philosophy ofconsciousness stemming from Kant, Hegel, and Lukacs.
Synopsis: Theodor W. Adorno died in 1969 and his last major work, AEsthetische Theorie, was published posthumously a year later. Few philosophers have been as well versed in contemporary art, especially music, as Adorno, and even fewer have written so much that is of interest to the social sciences. Yet only recently have his aesthetic writings begun to receive sustained attention in the English-speaking world. This collection of essays is an important contribution to the growing discussion of Adorno's aesthetics in Anglo-American scholarship.The essays in the volume, by many of the major Adorno scholars in the United States and Germany, are organized around the twin themes of semblance and subjectivity. Whereas the concept of semblance, or illusion, points to Adorno's links with Marx, Nietzsche, and Freud, the concept of subjectivity recalls his lifelong struggle with a philosophy of consciousness stemming from Kant, Hegel, and Lukacs. Adorno's elaboration of the two concepts takes many dialecical twists. Art, despite the taint of illusion that it has carried since Plato's Republic, turns out in Adorno's account of modernism to have a sophisticated capacity to critique illusion, including its own. Adorno's aesthetics emphasizes the connection between aesthetic theory and many other aspects of social theory. The paradoxical genius of Aesthetic Theory is that it turns traditional concepts into a theoretical cutting edge. Studies in Contemporary German Social Thought
Publication: US
Imprint: MIT Press
Returns: Returnable
Some other items by this author:
ADORNO'S AESTHETIC THEORY (PB)
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ARIS KALAIZIS: MAKING SKY (HB)
ART IN PUBLIC
ART IN PUBLIC (HB)
ART IN PUBLIC (PB)
ART, EDUCATION, AND CULTURAL RENEWAL (HB)
ART, EDUCATION, AND CULTURAL RENEWAL (PB)
ARTISTIC TRUTH
ARTISTIC TRUTH (HB)
ARTISTIC TRUTH (PB)
DOG-KISSED TEARS
DOG-KISSED TEARS (HB)
IMITATION AND SOCIETY (HB)
IMITATION AND SOCIETY (PB)
RELIGION, TRUTH, AND SOCIAL TRANSFORMATION (HB)
RELIGION, TRUTH, AND SOCIAL TRANSFORMATION (PB)
SHATTERING SILOS
SHATTERING SILOS (HB)
SOCIAL DOMAINS OF TRUTH
SOCIAL DOMAINS OF TRUTH (HB)
SOCIAL PHILOSOPHY AFTER ADORNO
SOCIAL PHILOSOPHY AFTER ADORNO (HB)
SOCIAL PHILOSOPHY AFTER ADORNO (PB)
THE ARTS, COMMUNITY AND CULTURAL DEMOCRACY (HB)
THE ARTS, COMMUNITY AND CULTURAL DEMOCRACY (PB)
THE CAMBRIDGE COMPANION TO ADORNO
THE CAMBRIDGE COMPANION TO ADORNO (HB)
THE CAMBRIDGE COMPANION TO ADORNO (PB)
THE SEMBLANCE OF SUBJECTIVITY (HB)
THE WAKE OF ART (HB)
THE WAKE OF ART (PB)
TO SING ONCE MORE (HB)
TRUTH IN HUSSERL, HEIDEGGER, AND THE FRANKFURT SCHOOL (HB)
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