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Item Details
Title: ENGAGED RESISTANCE
AMERICAN INDIAN ART, LITERATURE, AND FILM FROM ALCATRAZ TO THE NMAI
By: Dean Rader
Format: Hardback

List price: £46.00


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ISBN 10: 0292723997
ISBN 13: 9780292723993
Publisher: UNIVERSITY OF TEXAS PRESS
Pub. date: 1 April, 2011
Series: The William and Bettye Nowlin Series in Art, History, and Culture of the
Pages: 297
Description: Profusely illustrated with more than one hundred images, this is the first book that focuses on how Native Americans have used artistic expression to both engage with and resist Anglo culture while asserting deeply held ethical values.
Synopsis: From Sherman Alexie's films to the poetry and fiction of Louise Erdrich and Leslie Marmon Silko to the paintings of Jaune Quick-To-See Smith and the sculpture of Edgar Heap of Birds, Native American movies, literature, and art have become increasingly influential, garnering critical praise and enjoying mainstream popularity. Recognizing that the time has come for a critical assessment of this exceptional artistic output and its significance to American Indian and American issues, Dean Rader offers the first interdisciplinary examination of how American Indian artists, filmmakers, and writers tell their own stories. Beginning with rarely seen photographs, documents, and paintings from the Alcatraz Occupation in 1969 and closing with an innovative reading of the National Museum of the American Indian, Rader initiates a conversation about how Native Americans have turned to artistic expression as a means of articulating cultural sovereignty, autonomy, and survival.Focusing on figures such as author/director Sherman Alexie (Flight, Face, and Smoke Signals), artist Jaune Quick-To-See Smith, director Chris Eyre (Skins), author Louise Erdrich (Jacklight, The Last Report on the Miracles at Little No Horse), sculptor Edgar Heap of Birds, novelist Leslie Marmon Silko, sculptor Allen Houser, filmmaker and actress Valerie Red Horse, and other writers including Joy Harjo, LeAnne Howe, and David Treuer, Rader shows how these artists use aesthetic expression as a means of both engagement with and resistance to the dominant U.S. culture. Raising a constellation of new questions about Native cultural production, Rader greatly increases our understanding of what aesthetic modes of resistance can accomplish that legal or political actions cannot, as well as and why Native peoples are turning to creative forms of resistance to assert deeply held ethical values.
Illustrations: 147 colour and b&w illustrations
Publication: US
Imprint: University of Texas Press
Returns: Non-returnable
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