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Item Details
Title: CURATING AT THE EDGE
ARTISTS RESPOND TO THE U.S./MEXICO BORDER
By: Kate Bonansinga, Lucy Lippard (Foreword)
Format: Paperback

List price: £21.99
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ISBN 10: 0292754434
ISBN 13: 9780292754430
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Publisher: UNIVERSITY OF TEXAS PRESS
Pub. date: 6 January, 2014
Series: The William and Bettye Nowlin Series in Art, History, and Culture of the
Pages: 296
Description: Located less than a mile from Juarez, the Stanlee and Gerald Rubin Center for Visual Arts at the University of Texas at El Paso is a non-collecting institution that serves the Paso del Norte region. This book brings to life her experiences as the Rubin's founding director.
Synopsis: Located less than a mile from Juarez, the Stanlee and Gerald Rubin Center for Visual Arts at the University of Texas at El Paso is a non-collecting institution that serves the Paso del Norte region. In Curating at the Edge, Kate Bonansinga brings to life her experiences as the Rubin's founding director, giving voice to a curatorial approach that reaches far beyond the limited scope of "border art" or Chicano art. Instead, Bonansinga captures the creative climate of 2004-2011, when contemporary art addressed broad notions of destruction and transformation, irony and subversion, gender and identity, and the impact of location on politics.The Rubin's location in the Chihuahuan desert on the U.S./Mexican border is meaningful and intriguing to many artists, and, consequently, Curating at the Edge describes the multiple artistic perspectives conveyed in the place-based exhibitions Bonansinga oversaw. Exciting mid-career artists featured in this collection of case studies include Margarita Cabrera, Liz Cohen, Marcos Ramirez ERRE, and many others. Recalling her experiences in vivid, first-person scenes, Bonansinga reveals the processes a contemporary art curator undertakes and the challenges she faces by describing a few of the more than sixty exhibitions that she organized during her tenure at the Rubin. She also explores the artists' working methods and the relationship between their work and their personal and professional histories (some are Mexican citizens, some are U.S. citizens of Mexican descent, and some have ancestral ties to Europe). Timely and illuminating, Curating at the Edge sheds light on the work of the interlocutors who connect artists and their audiences.
Illustrations: 115 b&w and 30 color photos
Publication: US
Imprint: University of Texas Press
Returns: Returnable
Some other items by this author:
5 PROSE FICTIONS
BARBARA YOSHIDA - MOON VIEWING (HB)
BEING IN PICTURES (HB)
CHRISTY RUPP (HB)
CONVERGING LINES (HB)
CURATING AT THE EDGE (HB)
DADAS ON ART (PB)
DAVID WOJNAROWICZ (HB)
DAVID WOJNAROWICZ (HB)
DAVID WOJNAROWICZ (HB)
DISTANT RELATIONS (HB)
DOWN COUNTRY (HB)
EVA HESSE (HB)
HISACHIKA TAKAHASHI (HB)
HUACAS (HB)
I SEE / YOU MEAN (HB)
JO BAER (HB)
JUDY CHICAGO (PB)
LAND/ART (HB)
LAWRENCE PAUL YUXWELUPTUN (HB)
LUCY LIPPARD - 4,492,040 (HB)
LUCY LIPPARD ON POP ART (HB)
MARION BELANGER - RIFT/FAULT (HB)
MARK DION AND ALEXIS ROCKMAN (HB)
MATERIALIZING "SIX YEARS" (HB)
MICHAEL LIGHT - LAKE LAS VEGAS/BLACK MOUNTAIN (HB)
MIERLE LADERMAN UKELES (HB)
NANCY HOLT (PB)
ON THE BEATEN TRACK (HB)
OVERLAY (PB)
PARTIAL RECALL (HB)
PARTIAL RECALL (PB)
PATH BREAKERS (PB)
PETER GOURFAIN (PB)
POP ART (PB)
PUT ABOUT (PB)
SIX YEARS (PB)
STUFF (HB)
THE ALTERED LANDSCAPE (HB)
THE ART OF WHITFIELD LOVELL (HB)
THE EDGE OF THE EARTH (HB)
THE GREAT PICTURE (HB)
THE LINES (PB)
THE LURE OF THE LOCAL (PB)
THE PINK GLASS SWAN (PB)
THE SCHOOL OF PARIS PAINTINGS FROM THE FLORENCE MAY SCHOEBORN AND SAMUEL A.MARX COLLECTION (PB)
TIME & TIME AGAIN (HB)
UNDERMINING (PB)
VOIDS (HB)
VOIDS/VIDES (PB)
WHO IS ANA MENDIETA?

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