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Item Details
Title: EARLY AMERICAN CINEMA IN TRANSITION
STORY, STYLE AND FILMMAKING, 1907-1913
By: Charlie Keil
Format: Paperback

List price: £24.50


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ISBN 10: 029917364X
ISBN 13: 9780299173647
Publisher: UNIVERSITY OF WISCONSIN PRESS
Pub. date: 3 December, 2001
Series: Wisconsin Studies in Film
Pages: 352
Description: As cinema developed from a novelty to popular entertainment, filmmaking also changed. This study looks at the changes by examining various films, especially: "The Boy Dectective"; "The Forgotton Watch"; "Rose O'Salem-Town"; "Cupid's Monkey Wrench"; "Belle Boyd"; "A Confederate Spy"; and "Suspense".
Synopsis: The years 1907-1913 mark a crucial transitional moment in American cinema. As moving picture shows changed from mere novelty to an increasingly popular entertainment, fledgling studios responded with longer running times and more complex storytelling. A growing trade press and changing production procedures also influenced filmmaking. In Early American Cinema in Transition, Charlie Keil looks at a broad cross-section of fiction films to examine the formal changes in cinema of this period and the ways that filmmakers developed narrative techniques to suit the fifteen-minute, one-reel format. Keil outlines the kinds of narratives that proved most suitable for a single reel's duration, the particular demands that time and space exerted on this early form of film narration, and the ways filmmakers employed the unique features of a primarily visual medium to craft stories that would appeal to an audience numbering in the millions. He underscores his analysis with a detailed look at six films: The Boy Detective; The Forgotten Watch; Rose O'Salem-Town; Cupid's Monkey Wrench; Belle Boyd, A Confederate Spy; and Suspense.
Illustrations: 132 film stills, 5 tables
Publication: US
Imprint: University of Wisconsin Press
Returns: Returnable
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