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Item Details
Title:
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EARLY AMERICAN CINEMA IN TRANSITION
STORY, STYLE AND FILMMAKING, 1907-1913 |
By: |
Charlie Keil |
Format: |
Paperback |

List price:
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£24.50 |
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it.
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ISBN 10: |
029917364X |
ISBN 13: |
9780299173647 |
Publisher: |
UNIVERSITY OF WISCONSIN PRESS |
Pub. date: |
3 December, 2001 |
Series: |
Wisconsin Studies in Film |
Pages: |
352 |
Description: |
As cinema developed from a novelty to popular entertainment, filmmaking also changed. This study looks at the changes by examining various films, especially: "The Boy Dectective"; "The Forgotton Watch"; "Rose O'Salem-Town"; "Cupid's Monkey Wrench"; "Belle Boyd"; "A Confederate Spy"; and "Suspense". |
Synopsis: |
The years 1907-1913 mark a crucial transitional moment in American cinema. As moving picture shows changed from mere novelty to an increasingly popular entertainment, fledgling studios responded with longer running times and more complex storytelling. A growing trade press and changing production procedures also influenced filmmaking. In Early American Cinema in Transition, Charlie Keil looks at a broad cross-section of fiction films to examine the formal changes in cinema of this period and the ways that filmmakers developed narrative techniques to suit the fifteen-minute, one-reel format. Keil outlines the kinds of narratives that proved most suitable for a single reel's duration, the particular demands that time and space exerted on this early form of film narration, and the ways filmmakers employed the unique features of a primarily visual medium to craft stories that would appeal to an audience numbering in the millions. He underscores his analysis with a detailed look at six films: The Boy Detective; The Forgotten Watch; Rose O'Salem-Town; Cupid's Monkey Wrench; Belle Boyd, A Confederate Spy; and Suspense. |
Illustrations: |
132 film stills, 5 tables |
Publication: |
US |
Imprint: |
University of Wisconsin Press |
Returns: |
Returnable |
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