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Item Details
Title: THE GROSVENOR GALLERY
A PALACE OF ART IN VICTORIAN ENGLAND
By: Dr. Susan P. Casteras (Editor), Colleen Denney (Editor)
Format: Hardback

List price: £40.00


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ISBN 10: 0300067526
ISBN 13: 9780300067521
Publisher: YALE UNIVERSITY PRESS
Pub. date: 24 April, 1996
Pages: 224
Description: London's Grosvenor Gallery opened in 1877 as an alternative to the Royal Academy. Although it only existed until 1890, it advanced the careers of many progressive artists. This work comprises essays exploring critical aspects of the gallery, such as the significance of its social ambience.
Synopsis: London's notorious Grosvenor Gallery was founded by Sir Coutts Lindsay and his wife, Lady Blanche Lindsay, to serve as an alternative to the Royal Academy. Although it existed only from 1877 to 1890, the gallery displayed the works and advanced the careers of many progressive artists, particularly those whose work was ignored by the traditional tastes of the usual exhibition venues. The Lindsays' innovative approach to art, audiences, and exhibition display made the gallery an influential force not only in Victorian art and society but also in the evolution of modern-day museum practice. This first in-depth study of the Grosvenor Gallery consists of essays by noted scholars in nineteenth-century art and culture who explore critical aspects of the gallery such as the significance of its social ambience, the diverse content of its winter and summer exhibitions, and its status in the context of other exhibition sites.The authors also consider artists and groups who exhibited at the gallery, including Edward Burne-Jones and the second generation Pre-Raphaelites, James McNeill Whistler, George Frederic Watts, Evelyn Pickering De Morgan and other women artists, the Newlyn School, British Rustic Naturalists, and the Glasgow Boys. Copublished with the Yale Center for British Art
Illustrations: 90 b-w + 34 color illus.
Publication: US
Imprint: Yale University Press
Returns: Returnable
Some other items by this author:
A STRUGGLE FOR FAME (PB)
AT THE TEMPLE OF ART (HB)
AT THE TEMPLE OF ART (HB)
BLOOMSBURY ARTISTS AT CHARLESTON (PB)
ENGLISH PRE-RAPHAELITISM AND ITS RECEPTION IN AMERICA IN THE NINETEENTH CENTURY (HB)
IMAGES OF VICTORIAN WOMANHOOD IN ENGLISH ART (HB)
JOHN RUSKIN AND THE VICTORIAN EYE (HB)
POCKET CATHEDRALS (PB)
PRE-RAPHAELITE AND OTHER MASTERS (HB)
PRE-RAPHAELITE ART IN ITS EUROPEAN CONTEXT (HB)
REPRESENTING DIANA, PRINCESS OF WALES (HB)
REPRESENTING DIANA, PRINCESS OF WALES (HB)
SHINING SPIRIT (PB)
SUFFRAGE PHOTOGRAPHY OF LENA CONNELL
VISUAL CULTURE OF WOMEN''S ACTIVISM IN LONDON, PARIS AND BEYOND (PB)
WOMEN, PORTRAITURE AND THE CRISIS OF IDENTITY IN VICTORIAN ENGLAND
WOMEN, PORTRAITURE AND THE CRISIS OF IDENTITY IN VICTORIAN ENGLAND
WOMEN, PORTRAITURE AND THE CRISIS OF IDENTITY IN VICTORIAN ENGLAND
WOMEN, PORTRAITURE AND THE CRISIS OF IDENTITY IN VICTORIAN ENGLAND (HB)
WOMEN, PORTRAITURE AND THE CRISIS OF IDENTITY IN VICTORIAN ENGLAND (PB)

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