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Item Details
| Title:
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SULTAN IBRAHIM MIRZA'S "HAFT AWRANG"
A PRINCELY MANUSCRIPT FROM SIXTEENTH-CENTURY IRAN |
| By: |
Marianna Shreve Simpson, Massumeh Farhad |
| Format: |
Hardback |
| List price:
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£90.00 |
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We believe that this item is permanently unavailable, and so we cannot source
it.
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| ISBN 10: |
0300068026 |
| ISBN 13: |
9780300068023 |
| Publisher: |
YALE UNIVERSITY PRESS |
| Pub. date: |
6 November, 1997 |
| Pages: |
440 |
| Description: |
In 1556 Prince Sultan Ibrahim Mizra commissioned a copy of the Persian classic, the "Haft Awrang (Seven Thrones) of Abdul-Rahman Jami". This text explores the production, purpose and meaning of the work, providing historical documentation about its patron and analyzing its contents. |
| Synopsis: |
In 1556 Prince Sultan Ibrahim Mirza commissioned a copy of the great Persian literary classic, the Haft Awrang (Seven Thrones) of Abdul-Rahman Jami. For the next nine years, five court calligraphers worked on the transcription of the poetic text, and then another group of gifted artists illuminated and illustrated it. This magnificent volume, now housed in the Freer Gallery of Art, Washington, and known as the Freer Jami, is renowned as one of the most sumptuous works of the Safavid period and a masterpiece of Islamic art. Marianna Shreve Simpson explores the production, purpose, and meaning of the Haft Awrang, providing historical documentation about its princely patron and artists and analyzing its contents. She summarizes Jami's seven poems and examines the individual Freer Jami illustrations, focusing in particular on their iconography, their interpretations of the poetic verses, and their relationship with other known illustrations of the same text. Her study also sheds light on a number of fascinating art historical issues. These include the kitabkhana (workshop) system and the practices of deluxe manuscript production in sixteenth-century Iran, the respective roles and relationships of those involved in the complicated enterprise of Safavid bookmaking, the intersection of art and literature in a culture that respected both form and content, and the significance of an illustrated book as a document of the artistic taste, social relations, and economic conditions of its time. |
| Illustrations: |
100 b&w illustrations, 125 colour plates |
| Publication: |
US |
| Imprint: |
Yale University Press |
| Returns: |
Returnable |
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